Fiction (short stories)

Thibault Jacquot-Paratte

From the Annapolis Valley. Travelled across North Amrica, Europe, India, Japan, Cameroon, Tunisia. Bachelor’s of Nordic studies from the Sorbonne in 2015, Master’s in sociology in 2017; year of study in Tromsø, Norway, Study certificates from the University of Vaasa (Fi.), and The Askov Folkehøjskole (DK.).

Started publishing poetry in 2010, has since published poetry, short stories, essays, and theatre in both English and French, in Canada, Europe and India. His first three plays were published in Paris in 2016-2017; first poetry collection in Allahabad in 2020. In 2017, co-directed and co-wrote one film (Danish-Estonian coproduction). Also a musician and a songwriter, has had the opportunity to play in Canada, France, Germany, Norway, Denmark, India and japan, and has produced multiple recordings. He has also been invited as an official poet to certain events, such as one of the official poets of the SNA at the 2019 CMA, in Moncton. His published work ranges across almost all genres – realism, fantasy, absurdism, abstract prose, poetry…

Thibault Jacquot-Paratte – Wikipedia

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Janice Landry

Janice Landry has won four national awards for her writing and work. In March 2025, Halifax West MP Lena Metlege Diab presented Janice with the King Charles III Coronation Medal from the Government of Canada for her body of work, books, and longtime mental health advocacy.

Janice is a veteran journalist and proud Haligonian. In May 2025, she is releasing her seventh book, Every Little Thing – how small acts of kindness make a big impact, following her 2023 Lyme disease diagnosis. Janice has since fully recovered and wrote this “small book with big messages” to thank society’s many and varied helpers, including some of her own. Janice’s longtime publisher is Nova Scotia’s Pottersfield Press. Her last two books, Eye of the Ocean and Silver Linings, were both bestsellers.

Janice’s biggest inspiration is her family, husband, Rob, and daughter, Laura. Through her writing, she also honours her late parents, Baz and Theresa. Janice began writing longform non-fiction to tell the gripping story of her firefighter father’s national Medal of Bravery for his part in the near-death rescue of an infant from a harrowing 1978 Halifax house fire.

For more on Janice, her writing, books, and work history: https://www.janicelandry.ca/

 

 

 

 

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Dr. G.V. Loewen

G.V. Loewen is the author of forty-seven books and is one of Canada’s leading contemporary thinkers. His non-fiction works include books in education, ethics, health, aesthetics and social theory. He recently wrote an eleven volume adventure saga for young persons and other shorter fiction works. He is a student of phenomenology and hermeneutics. Born in Victoria, January 31, 1966, Loewen was educated at the University of Victoria with a BA and MA in anthropology and at the University of British Columbia, receiving the PhD in anthropology in 1997. He held two tenure stream positions in the United States before taking up his academic position in Saskatoon, Canada, in 2005, where he was chair of the sociology department for five years and from which he retired in 2018. Over the course of his career, Loewen won two major teaching awards at two universities and was nominated for four others.

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Tim Covell

Tim lived in various areas of British Columbia and Ontario before moving to Nova Scotia. A part-time student for more than thirty years, and still taking courses, he has degrees in English Literature, Film Studies, and Canadian Studies. He researches film classification systems, and has published three academic papers, including an international study of how film classification agencies accommodate children’s participation rights under the United Nations Convention on the Rights of the Child.

Other publications include poetry, personal essays, short humour, biographies, and film reviews. He published his first romance novel, Ocean’s Lure, in 2021, and is working on more romance novels. He is a member of Romance Writers of America, Romance Writers of Atlantic Canada, The American Copy Editors Society, and the Open Heart Forgery poetry cooperative. His day job is technical writer for a software company. More at www.covell.ca

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Cooper Lee Bombardier

Cooper Lee Bombardier is a queer, trans writer and visual artist living in Halifax. He is the author of the memoir-in-essays Pass With Care, a finalist for the 2021 Firecracker Award in Nonfiction. His writing appears in The Kenyon Review, The Malahat Review, Ninth Letter, CutBank, Nailed Magazine, Longreads, Narratively, BOMB, and The Rumpus; and in 18 anthologies, including the Lambda Literary Award-winning anthology, The RemedyEssays on Queer Health Issues, and Meanwhile, Elsewhere: Speculative Fiction From Transgender Writers, which won a 2018 American Library Association Stonewall Book Award. The Huffington Post listed Cooper as one of “10 Transgender Artists Who Are Changing The Landscape Of Contemporary Art.” He teaches in the MFA in Creative Nonfiction program at University of King’s College.

FB: cooperfrickinleee Twitter: @CooperLeeB  IG: cooper_lee_bombardier

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Dian Day

Dian Day is the author of the award-winning novels The Clock of Heaven (Inanna, 2008) and The Madrigal (Inanna, 2018). Her third book (still untitled) is a graphic novel for middle grade readers (with artist Amanda White) is forthcoming with Second Story Press in Spring 2026. Dian recently completed a doctoral degree in Cultural Studies at Queen’s University in work focused on the portrayal of poverty and food insecurity in children’s fiction.

Dian undertakes research, writing, and editing contracts alongside work on her fourth novel. She lives and writes in Piktuk/Pictou County.

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Linda H.Y. Hegland

Linda H.Y. Hegland is an award-winning lyric essay, short story and poetry writer, and photographer who lives in Bridgetown, Nova Scotia, Canada. Her writing and photos most often reflect the influence of place, and one’s relationship with it. She has published in several literary and art journals, and has had work nominated for a Pushcart Prize. She says this of her writing:

 

My writing practice is an inquiry into the the landscape of the body, geographical landscape, place, memory, narrative, and meaning. I intend that my writing will unearth truths and help me to taste, in retrospection, the essence of what it was to live that moment – that small story. I write to give voice to unspoken memories, to unspoken experience.

 

These memories, physical and emotional, the communal history, the memories marked on our bodies – they tell stories. Some stark, some catastrophic, some just detours, footnotes. Some are our runes.

 

I am deeply moved by the ways in which longing, and being lost, and the attempt to find a definition of one’s self inspire the art. My writing originates from a place of expressing authentic voice.

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Annick MacAskill

Annick MacAskill is a writer and translator based in Halifax. Her poems have appeared in literary journals and anthologies across Canada and abroad, including Best Canadian Poetry, The Stinging Fly, Canadian Notes & Queries, the Literary Review of Canada, Grain MagazinePrism International, The Fiddlehead, Room Magazine, Plenitude, Arc Poetry Magazine, Lemon Hound, and Versal. Her first full-length poetry collection, No Meeting Without Body (Gaspereau Press, 2018), was nominated for the Gerald Lampert Memorial Award and shortlisted for the J. M. Abraham Poetry Award. Her second collection will be published by Gaspereau in the spring of 2020.

MacAskill’s poetry has also been longlisted for the CBC’s Canada Writes Poetry Prize, longlisted for The Fiddlehead‘s Ralph Gustafson Prize, and nominated for a Pushcart Prize. She is a member of Room Magazine‘s editorial collective.

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Carolyn Ann Vaughan

I have been writing for many years, wrote community news columns for Bedford Sackville News, wrote 500 word articles for National Review of Medicine  published in both print and online, and for a time I had a column with the Dartmouth Lakers, mostly consisting of health related articles. I wrote and self published “Secret Diaries of a Nurse and other short stories”  and Electronic Nicotine Delivery System. Writing has always paid me a little but my bred and butter and money to pay the mortgage came from nursing.

Carolyn Ann Vaughan RN

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Experience Levels

The Writers’ Federation of Nova Scotia (WFNS) uses the following terms to describe writers’ experience levels:

  • New writers: those with less than two years’ creative writing experience and/or no short-form publications (e.g., short stories, personal essays, or poems in literary magazines, journals, anthologies, or chapbooks).
  • Emerging writers: those with more than two years’ creative writing experience and/or numerous short-form publications.
  • Early-career authors: those with 1 or 2 book-length publications or the equivalent in book-length and short-form publications.
  • Established authors: those with 3 or 4 book-length publications.
  • Professional authors: those with 5 or more book-length publications.

Please keep in mind that each form of creative writing (fiction, nonfiction, poetry, writing for children, writing for young adults, and others) provides you with a unique set of experiences and skills, so you might consider yourself an ‘established author’ in one form but a ‘new writer’ in another.

Occasionally, WFNS uses the phrase “emerging and established writers/authors” to mean ‘writers and authors of all experience levels.’

The “Recommended experience level” section of each workshop description refers to the above definitions. A workshop’s participants should usually have similar levels of creative writing and / or publication experience. This ensures that each participant gets value from the workshop⁠ and is presented with info, strategies, and skills that suit their experience. 

For “intensive” and “masterclass” workshops, which provide more opportunities for peer-to-peer feedback, the recommended experience level should be followed closely.

For all other workshops, the recommended experience level is just that—a recommendation—and we encourage potential participants to follow their own judgment when registering.

If uncertain about your experience level with respect to any particular workshop, please feel free to contact us at communications@writers.ns.ca