Short Fiction – Writers' Federation of Nova Scotia

Elizabeth Glenn-Copeland

I am an author, theatre artist and arts educator with more than four decades of professional experience. As a theatre artist, I have toured with Second City doing improv comedy, played the Witch in Hansel and Gretl with the Honolulu Symphony and told my original stories at the Toronto International Storytelling Festival. My arts education credits include work with Learning Through the Arts, World Vision, and the Storytellers School of Toronto.

I served as Artistic Director of KPH Theater Productions in Miramichi, N.B. from 2012 to 2016, and along with my husband, Beverly Glenn Copeland, completed half a dozen artist residencies* in N.B. schools. I was honoured to serve as Writer-in-Residence* for James M. Hill High School in 2015. (*Funding support through NB Department of Tourism, Heritage and Culture.)

In February 2016 I was part of the faculty at the San Miguel Writers Conference (San Miguel de Allende, Mexico), and led the creative writing workshop at the Knowlton Literary Festival in Knowlton, Quebec in October.

In 2017, I returned to Mount Allison University to indulge myself in two years of full time study of eco-poetry, feminist philosophy, sustainability in education and medieval studies. Thanks to MTA, in the summer of 2017 I completed a residency to research and create a one-act spoken-word play entitled, “Bearing Witness”.

During my tenure as 2018 Writer-in-Residence at Joggins Fossil Institute, I researched and wrote — “Daring to Hope at the Cliff’s Edge: Pangea’s Dream Remembered”: an art/science collaboration and conversation between myself and the three-hundred million year old rock. The theme: how to find what Buddhist eco-philosopher, Joanna Macy calls Active Hope as we stand at this cliff’s edge in our evolution as a species. The book was launched in Sackville, N.B. on Sept. 29, 2019 by Chapel Street Editions.

Due to covid, my cross country tour to promote this book was cancelled, but late 2020 saw a resurgence of interest in the work and its message of hope. I participated in the Writing for Change series launched by The Rose Theater in Brampton, ON. An exciting variation on this theme will be happening virtually on March 21 at The Rose with spoken-word artist extraordinaire, Ian Keteku.

Since moving to Spencers Island in Jan. 2021, I am making new writing and peforming friends and will be part of the Shipwright Sessions (Ships Company Theater) in Aug. 2021.

Jan Fancy Hull

Jan Fancy Hull lives and writes beside (and sometimes on) a quiet lake in Lunenburg County. She was born on Nova Scotia’s Eastern Shore.

Her debut non-fiction book, Where’s Home?, was published in the summer of 2020 by Moose House Publications. Using open-ended questions in a survey, and multiple personal interviews, Jan explored the many ways Nova Scotians experience home, or wish they did. Home is not always as it seems. Or as expected. Or attainable.

Her first book of short stories, The Church of Little Bo Peep and other stories, published by Moose House Publications, launched August 2021. She has been published in the Chronicle Herald, The Antigonish Review, and three of her poems were included in an anthology, Gathering In, published by Windywood Publishing in October 2020. She is writing more fiction and wonders if there’s time for another non-fiction project.

Before retiring (from steady paycheques), Jan served in various careers, enterprises, pursuits, and avocations, including as arts administrator, sailing tours skipper, and employee benefits broker. She creates sculptures from Nova Scotian sandstone, is involved in the Lunenburg Art Gallery Society, and writes. She is a Member of the Writers Federation of Nova Scotia Writers’ Council.

She also likes to play golf, and drift on the lake in her small boat.

Facebook: Jan Fancy Hull / Jan Hull Stoneist;

Websites: janfancyhull.ca / thestoneist.com

Dave Beynon

Originally from Britain, Dave Beynon moved to Canada as an infant, growing up on a farm north and west of Toronto. He has been a cow milker, a short order cook, a waiter, a residence manager at the Hamilton Downtown YMCA (there’s a novel waiting to be written about those four years), a factory worker and a purveyor of fine corrugated packaging and displays.

Dave writes fiction of varying genres and lengths. His short fiction has appeared in anthologies, periodicals, on-line and in podcasts. In 2011, his novel, The Platinum Ticket was shortlisted for the inaugural Terry Pratchett Prize.

Dave co-hosted a local cable TV show called Turning Pages, an in-depth interview show that highlights authors, writing and publishing.

He lives on the South Shore and should have been living there his whole life.

His work is represented by Ed Wilson of Johnson & Alcock.

Nina Munteanu

Nina is a Canadian ecologist and novelist. She worked for 25 years as an environmental consultant in the field of aquatic ecology and limnology, publishing papers and technical reports on water quality and impacts to aquatic ecosystems. Nina has written over a dozen eco-fiction, science fiction and fantasy novels. An award-winning short story writer, and essayist, Nina currently lives in Toronto where she teaches writing at the University of Toronto and George Brown College. Her book “Water Is…” (Pixl Press)—a scientific study and personal journey as limnologist, mother, teacher and environmentalist—was picked by Margaret Atwood in the New York Timesas 2016 ‘The Year in Reading’. Nina’s most recent novel is “A Diary in the Age of Water”—about four generations of women and their relationship to water in a rapidly changing world—released in June 2020 by Inanna Publications.

Thea Atkinson

I’m a NEW YORK TIMES and USA TODAY Bestselling Author who gained those letters with books included in self-published box sets with like-minded writers.

I used to have a black lab at my feet when I wrote, warming up the calves. She was a good girl. I miss her. Now it’s just a cuppa tea keeping this old gal warm. Maybe someday though…

I love to read, and I love to get inside a character’s skin. I call my little ditties, fiction to the left of mainstream because they never truly match up with one perfect genre. Still want a label? I got em. Urban Fantasy, Historical Fantasy, LitFic with dark themes, grimdark dystopian…But I really just write what I like, and am always looking for the next character to populate my ever growing list of series.

I’ve published in lit journals and print publications; delivered workshops; and sat on a writers panel with the likes of Patricia Briggs and Guy Gavriel Kay and found both of them to be amazingly authentic human beings.

I seek out opportunities to speak to new writers and deliver workshops on fiction writing, plotting, publishing, and using technology.

To date, HalCon SciFi Con in 2019 was the highlight of my author career.

Chad Lucas

Chad Lucas has been in love with words since he attempted his first novel on a typewriter in the sixth grade. He has worked as a newspaper reporter, communications advisor, freelance writer, part-time journalism instructor, and parenting columnist.

His work has appeared in publications including Halifax Magazine, Black to Business, Sport Quarterly and The Chronicle Herald, where he wrote a biweekly column, “Life With Kids,” from 2011-2016. He’s a previous Silver Award winner at the Atlantic Journalism Awards, and his short fiction has appeared in EVENT and The Dalhousie Review.

A proud descendant of the historic African Nova Scotian community of Lucasville, Chad lives with his family in Nova Scotia. In his spare time, he enjoys coaching youth basketball, and he’s never far from a cup of tea. Chad is also a musician and played on the 2008 East Coast Music Award-winning album New Beginnings from artist Chelsea Amber. His debut middle grade novel, THANKS A LOT, UNIVERSE (Amulet Books/Abrams Kids) releases in May 2021.

Gwen Martin

Gwen has been a writer and editor since Justin Trudeau was a babe in arms. Long ago, she published poems and short stories but did not make enough money to eat, let alone drink. She wrote three history books: Once Upon a Mine, For Love of Stone and Gesner’s Dream. Never heard of them? You’re not alone. It took a while, but Gwen finally realized that book royalties would not pay the rent.

She thereafter began a thirty-year career that saw her authoring or editing heavy scientific tomes, lively political speeches, boring government reports and million-dollar grant proposals for clients across Canada. These days, she conducts self-editing workshops for professionals and, as a sideline, writes essays that articulate the life-patterns she sees everywhere. She’s also writing a non-fiction book, The Solace of Stone©, that explores how rocks (which she feels are sentient beings with memories) embody our personal and collective yearning for mystery and transcendence.

Gwen has a B.Sc. from University of Toronto (geology) and diplomas from The Banff Centre (creative writing; arts journalism). Apart from that, her education has come from life: she’s been a ballet school piano player, seamstress, lounge singer, arts journalist, geo-magazine editor, desktop publisher, freight train jumper, prospector, geologist, project manager, executive director for a provincial writers’ federation, geotourism guide, writing/editing workshop facilitator, and science teacher. Gwen is also a professional member with The Writers’ Union of Canada and the Canadian Freelance Guild.

Robin Metcalfe

A writer, Queer activist and community historian of Acadian and Newfoundland heritage, Robin Metcalfe has published journalism, cultural criticism, short fiction and poetry in international periodicals and anthologies. He won the 2000 Evelyn Richardson Prize for Non-Fiction and was shortlisted for a National Magazine Award in 2004. He lives in Weijuik/Sheet Harbour Passage.

Pronouns: he, him

Jeff Miller

Jeff Miller is the author of Ghost Pine: All Stories True (Invisible Publishing). His stories have appeared in several anthologies and he frequently publishes cultural journalism. A longtime resident of Montreal, he recently moved to the Eastern Shore.

Virginia Konchan

Virginia Konchan is the author of the poetry collections Any God Will Do (Carnegie Mellon University Press, 2020) and The End of Spectacle (Carnegie Mellon University Press, 2018), a collection of short stories, Anatomical Gift (Noctuary Press, 2017), and four chapbooks, That Tree is Mine (Gaspereau Press, 2020), Empire of Dirt (above/ground press, 2019), The New Alphabets (Anstruther Press, 2019), and Vox Populi (Finishing Line Press, 2015). She holds degrees from Beloit College (BA), Cleveland State University (MFA), and the University of Illinois-Chicago (Ph.D). Her poems have appeared in The New Yorker, Best New Poets, The Believer, and The New Republic, her essays and criticism in Kenyon Review Online, Boston Review, Jacket2, and Guernica, her translations in The Brooklyn Rail, Asymptote and Circumference, and her fiction in StoryQuarterly, Joyland, and Memorious, among other places. Her work has been anthologized in several collections, and her honors include grants and fellowships from the National Endowment for the Humanities, Vermont Studio Center, Ox-Bow, The Banff Center, and Scuola Internazionale di Grafica in Venice. Co-founder of Matter, a journal of poetry and political commentary, and Associate Editor for Tupelo Quarterly, she currently lives and works in Halifax.