Anne Lévesque’s poetry, essays and fiction have appeared in Canadian and international journals and anthologies. She is the author of the novels ‘Lucy Cloud’ (Pottersfield Press 2018) and ‘The Secret Lives of Public Servants’ (Galleon Books 2025). She lives on the west coast of Unama’ki – Cape Breton Island.
Brittni Brinn (she/they) writes science fiction and horror from a tower in Kjipuktuk/Halifax. She graduated with an M.A. in Creative Writing from the University of Windsor and worked in community theatre for a few years before moving to the East Coast.
Her debut novel, The Patch Project, was published by EDGE Science Fiction and Fantasy Publishing (2018). A revised edition and the two sequels in the post-apocalyptic trilogy followed from Adventure Worlds Press, most recently collected in The Patch Project: The Complete Omnibus edition (2025). Their weird novella Misplaced (2024) is currently available from Little Ghosts Books.
Brittni’s short stories appear in anthologies with Eibonvale Press, Little Ghosts Books, and Undertaker Books. Excerpts from their ongoing novel projects were featured in WFNS’s Hal-Con zines (2024, 2025).
Habiba Diallo is the author of #BlackInSchool. She is the inaugural winner of the Senator Don Oliver Black Voices prize and was a finalist in the 2020 Bristol Short Story Prize. She was also one of six finalists in the 2018 London Book Fair Pitch Competition. She is a women’s health advocate passionate about bringing an end to a maternal health condition called obstetric fistula. You can find her on X, Facebook, and YouTube @haalabeeba
K.R. Byggdin is the author of Wonder World (Enfield & Wizenty 2022), a ReLit Award finalist and winner of the Thomas Raddall Atlantic Fiction Award. They hold a BA with honours in English and Creative Writing from Dalhousie University, an MFA in Creative Writing from the University of Guelph, and their short stories, poetry, and nonfiction have appeared in anthologies and journals across Canada, the UK, and New Zealand. Born and raised on the Prairies, they now call Kjipuktuk home.
Michelle Wamboldt was born and raised in Truro, Nova Scotia. She is a graduate of Dalhousie University and the Humber School of Journalism in Toronto.
Her debut novel, Birth Road, won the 2024 Margaret & John Savage First Book Award. Michelle’s short fiction has appeared in The Dalhousie Review and Moose House Publication’s, Blink and You’ll Miss It, Vol II.
Michelle lives on the beautiful South Shore of Nova Scotia.
Born in England to a teamster’s son and a coal miner’s daughter, G. M. (Mark) Baker now lives in Nova Scotia with his wife, no dogs, no horses, and no chickens. He prefers driving to flying, desert vistas to pointy trees, and quiet towns to bustling cities. As a reader and as a writer, he does not believe in confining himself to one genre. He writes about kind abbesses and melancholy kings, about elf maidens and ship wreckers and shy falconers, about great beauties and their plain sisters, about sinners and saints and ordinary eccentrics. In his newsletter Stories All the Way Down, he discusses history, literature, the nature of story, and how not to market a novel.
Sue MacLeod is the author of one YA novel, Namesake, and three poetry collections. Since 2022 she has been working on picture book manuscripts. In 2024 she was a picture book mentee with Whale Rock Workshops, won an Arts Nova Scotia grant to write a picture book trilogy about lighthouse children, and placed as a finalist in a US-based contest, PBParty. In 2025 she signed with an agent, Abigail Samoun of Red Fox Literary. Her debut picture book (soon to be announced) will be published in fall 2027.
Sue has made her home in Halifax, where she was the city’s first poet laureate (2001 to 2005) and in Toronto and Montreal. She has read from her work across Canada and has taught creative writing at Dalhousie University, the Writers’ Federation of Nova Scotia, the Art Gallery of Ontario and the Quebec Writers’ Federation.
Her poems have been described as “necessary and cherishable” (George Elliott Clarke); and Sarah Yi-Mei Tsiang, writing in Open Book Toronto, said, “I wandered around town quoting her poetry out loud to myself until I noticed how many people crossed the street to avoid me.” Reviewing Sue’s YA novel, Canadian Children’s Book News wrote, “without a misstep .. this book is a gem” and CM Magazine agreed: “In every way, this book is a triumph.”
Sue now lives in south end Halifax, working on new picture book manuscripts and taking frequent strolls along the boardwalk.
Kelly S. Thompson is a writer and retired officer in the Canadian Armed Forces. Kelly has a Honours Bachelor degree in Professional Writing from York University, a certificate in Publishing from Ryerson University, a master’s in Creative Writing from the University of British Columbia, and is completing a PhD in Literary and Critical Studies, Creative Writing, at the University of Gloucestershire in the UK, where she examines representations of grief and trauma in memoir.
Kelly’s work has won awards in a variety of genres. She won the House of Anansi Press Golden Anniversary Award for Fiction, the 2014 and 2017 Barbara Novak Award for Personal Essay, and was shortlisted for Room magazine’s 2013 and 2014 Creative Nonfiction awards, placing 2nd in the 2019 contest. Her essays have appeared in anthologies across Canada, including Boobs, by Caitlin Press, Embedded on the Home Front, with Heritage House and Everyday Heroes with Simon & Schuster.
Her work has appeared in literary magazines across the country and her professional writing has been printed in Chatelaine, Maclean’s, The Globe and Mail, and more. Her article on military sexual harassment titled “Battle Fatigue,” was runner up for Feature Article of the Year with the Professional Writers Association of Canada. She was also nominated for a National Magazine Award in 2022.
Her memoir Girls Need Not Apply: Field Notes from the Forces with Penguin Random House Canada, was an instant Globe and Mail bestseller and declared one of the top 100 books of 2019 by the Globe and Mail.
Kelly also teaches writing to all levels, having run after-school writing programs for teenage girls, creative writing classes for children, and taught Creative Writing and Communications at Trent University. She now teaches at the University of King’s Creative Non Fiction. She also developed and runs classes for Royal Roads University and Loyalist College.
Kelly’s next memoir, Still, I Cannot Save You, will release with McClelland & Stewart in January, 2023.
I am an author, theatre artist and arts educator with more than four decades of professional experience. As a theatre artist, I have toured with Second City doing improv comedy, played the Witch in Hansel and Gretl with the Honolulu Symphony and told my original stories at the Toronto International Storytelling Festival. My arts education credits include work with Learning Through the Arts, World Vision, and the Storytellers School of Toronto.
I served as Artistic Director of KPH Theater Productions in Miramichi, N.B. from 2012 to 2016, and along with my husband, Beverly Glenn Copeland, completed half a dozen artist residencies* in N.B. schools. I was honoured to serve as Writer-in-Residence* for James M. Hill High School in 2015. (*Funding support through NB Department of Tourism, Heritage and Culture.)
In February 2016 I was part of the faculty at the San Miguel Writers Conference (San Miguel de Allende, Mexico), and led the creative writing workshop at the Knowlton Literary Festival in Knowlton, Quebec in October.
In 2017, I returned to Mount Allison University to indulge myself in two years of full time study of eco-poetry, feminist philosophy, sustainability in education and medieval studies. Thanks to MTA, in the summer of 2017 I completed a residency to research and create a one-act spoken-word play entitled, “Bearing Witness”.
During my tenure as 2018 Writer-in-Residence at Joggins Fossil Institute, I researched and wrote — “Daring to Hope at the Cliff’s Edge: Pangea’s Dream Remembered”: an art/science collaboration and conversation between myself and the three-hundred million year old rock. The theme: how to find what Buddhist eco-philosopher, Joanna Macy calls Active Hope as we stand at this cliff’s edge in our evolution as a species. The book was launched in Sackville, N.B. on Sept. 29, 2019 by Chapel Street Editions.
Due to covid, my cross country tour to promote this book was cancelled, but late 2020 saw a resurgence of interest in the work and its message of hope. I participated in the Writing for Change series launched by The Rose Theater in Brampton, ON. An exciting variation on this theme will be happening virtually on March 21 at The Rose with spoken-word artist extraordinaire, Ian Keteku.
Since moving to Spencers Island in Jan. 2021, I am making new writing and peforming friends and will be part of the Shipwright Sessions (Ships Company Theater) in Aug. 2021.
Elizabeth Glenn-Copeland Read More »
The Writers’ Federation of Nova Scotia (WFNS) uses the following terms to describe writers’ experience levels:
Please keep in mind that each form of creative writing (fiction, nonfiction, poetry, writing for children, writing for young adults, and others) provides you with a unique set of experiences and skills, so you might consider yourself an ‘established author’ in one form but a ‘new writer’ in another.
Occasionally, WFNS uses the phrase “emerging and established writers/authors” to mean ‘writers and authors of all experience levels.’
The “Recommended experience level” section of each workshop description refers to the above definitions. A workshop’s participants should usually have similar levels of creative writing and / or publication experience. This ensures that each participant gets value from the workshop and is presented with info, strategies, and skills that suit their experience.
For “intensive” and “masterclass” workshops, which provide more opportunities for peer-to-peer feedback, the recommended experience level should be followed closely.
For all other workshops, the recommended experience level is just that—a recommendation—and we encourage potential participants to follow their own judgment when registering.
If uncertain about your experience level with respect to any particular workshop, please feel free to contact us at communications@writers.ns.ca
