Poetry (adult)

Pamela Ditchoff

Pamela Ditchoff was born in Lansing, Michigan on September 21, 1950. She received a BA in Communication Arts from Michigan State University (1982), and an MA in English/Creative Writing from Michigan State University (1985). In the mid-1980s, Ditchoff worked at WFSL-TV47 in Lansing as head copywriter/creative consultant and then as a Graduate Teaching Assistant at Michigan State University.During this period, her early fiction and poetry was published in various literary magazines. She taught in elementary and secondary schools with the Writer’s In Schools program, and Interact Press published two of her texts for teachers.  In 1993, Ditchoff was recognized in Who’s Who in Writers, Editors & Poets: United States & Canada, 1992-1993 for her significant literary contributions. Ditchoff moved to Liverpool in 2006, and has conducted classes there with WFNS and SCANS.

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Deirdre Dwyer

Deirdre Dwyer has been writing poetry since her teacher taught her about haiku in grade six. In the meantime, she’s worked as an English as a Second Language teacher in Tokyo, a Creative Writing instructor in Halifax, a Sessional Instructor of English in Windsor and a bookseller. Deirdre holds an MA in English and Creative Writing from the University of Windsor, and was a founding member of the Bourbon Street Poetry Society. She has worked with the Hope for Wildlife Society, a wildlife rehabilitation facility on the Eastern Shore. Deirdre was also Coordinator of the Musquodoboit Harbour Farmers’ Market. She was chair of the Musquodoboit Harbour and Area Community Association, and has been writing prose about her three years in Japan and her subsequent travels; and a writing workshop in Iceland in 2019.

When she visits schools, she can talk about the differences between Japanese culture, discuss Nova Scotian wildlife, show pictures of some of the wildlife she met at Hope for Wildlife, do writing exercises relating to either prose or poetry connected to these discussions, and read and discuss her own work with the students. She can also discuss life in Iceland, publishing books and in journals.

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Geoff Butler

Geoff Butler is a painter, writer and book illustrator. He was born on Fogo Island, Nfld., near Brimstone Head which has been designated by the Flat Earth Society as one of the four corners of the earth.

Geoff practices his art daily so as not to fall over the edge. He has self-published five books: Art of War: Painting it out of the Picture (1990); The Look of Angels: Angels in Art (2004), a collection of poems, songs, stories, paintings and drawings; and With Every Breath We Take (2007), a modern fable in which a snowflake helps put an end to war; Our Own Little World: in paintings and verse (2013); and One Swallow Makes a Summer Meal: allegories in paintings and verse (2016). Every now and then, he strolls down Alphabet Soup Road to write and illustrate children’s books.

He is a graduate of Memorial University of Newfoundland and Syracuse University. He also studied at the Art Students’ League in New York City. His paintings have been exhibited at, and toured by, the Art Gallery of Nova Scotia. He has been a visual arts recipient of a Nova Scotia Arts Council Creation grant and a Canada Council Established Artist grant. In 2006, he was elected a member of the Royal Canadian Academy of Arts. He lives in the small village of Granville Ferry, N.S.

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Wanda Campbell

Wanda Campbell was born and grew up in Andhra Pradesh, South India. She completed a Master’s Degree in Creative Writing at the University of Windsor under the supervision of Alistair MacLeod, and a PhD in Canadian Literature at the University of Western Ontario. She now teaches Creative Writing and Literature at Acadia University in Wolfville, Nova Scotia.

 

Wanda Campbell has published six collections of poetry, most recently Spring Theory (Pottersfield Press 2025),  a title inspired by her poem “String Theory,” a finalist for the 2024 Montreal International Poetry Prize.  Her other five collections are Kalamkari and Cordillera, Daedalus Had a Daughter, Grace, Looking for Lucy, and Sky Fishing, as well as a chapbook, Haw [Thorn]. Campbell’s debut novel Hat Girl,  winner of the 2010 H.R. Percy Prize in the WFNS Atlantic Writing Competition, was published in  2013 by Signature Editions. Her work appears in several anthologies including the 2024 Montreal International Poetry Prize Anthology, Landmarks: An Anthology of New Atlantic Canadian Poetry of the Land, and Body Language, and in literary journals across Canada including Antigonish Review, Between the Lines, Contemporary Verse II, Dalhousie Review, Descant, Driftwood, existere, Fiddlehead, Gaspereau Review, Grain, Harpweaver, New Quarterly, Northern Cardinal  Review, Queen’s Quarterly, Room, Vallum, Wascana Review, and Windsor Review. She has also edited books on Early Canadian Women Poets and on Bronwen Wallace. She has given readings from St. John’s to Victoria and always welcomes the opportunity to share her passion for poetry and fiction with others.

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Lesley Choyce

Lesley teaches part-time at Dalhousie University, runs Pottersfield Press and has published over 86 books for adults and kids. His Young Adult novels concern things like skateboarding, surfing, racism, environmental issues, organ transplants, and rock bands. Lesley surfs year round in the North Atlantic and is considered the father of transcendental wood-splitting. He’s worked as a rehab counsellor, a freight hauler, a corn farmer, a janitor, a journalist, a lead guitarist, a newspaper boy and a well-digger. He lives at Lawrencetown Beach overlooking the ocean. He also hosts a nationally syndicated TV talk show on Vision TV. His recent novel, Cold Clear Morning, is currently being developed as a feature length movie. In 2002, Goose Lane Editions published Choyce’s best-selling circumferential history book, The Coasts of Canada. That same year, his animal epic film, The Skunk Whisperer, was broadcast across Canada and heralded at the Maine International Film Festival. Along with the Surf Poets, he has released two poetry/music albums, Long Lost Planet and Sea Level.

To read excerpts from Lesley’s books and download free samples of his music, visit www.lesleychoyce.com.

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Christy Ann Conlin

Christy Ann Conlin’s debut novel, Heave, was a national bestseller and one of the Globe and Mail‘s top books of 2002. Her second adult novel, The Memento, will be published by Doubleday in April 2016. Her first YA novella, Dead Time, will be come out with Annick Press in 2011. Her fiction has appeared in numerous journals and anthologies including Best Canadian Stories. She has a Master of Fine Arts in creative writing from the University of British Columbia where she wrote and studied fiction, stage and screenplay writing. She also holds a Bachelor of Education from Acadia University, and a Bachelor of Arts in Theatre from the University of Ottawa. Her essays have appeared in numerous publications including Canadian Geographic, Geist and Chatelaine. Christy Ann is also a regular book reviewer for the Globe and Mail and is an online instructor with the University of Toronto. She lives in Wolfville, Nova Scotia.

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John Wall Barger

After a few years in the U.S., John Wall Barger grew up in Nova Scotia, and then moved away to Vancouver, Ottawa, Rome, Prague, and Dublin. He lived in the north end of Halifax for many years.

He is the author of six collections of poems. His book of essays on poetics and film, The Elephant of Silence, comes out in spring 2024 with LSU Press. He’s a contract editor for Frontenac House, lives in Vermont, and lectures in the Writing Program at Dartmouth College.

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Brian Bartlett

Brian Bartlett was born in St. Stephen, New Brunswick, in 1953, grew up in Fredericton, lived for 15 years in Montreal, and moved to Halifax in 1990 to teach creative writing and literature at Saint Mary’s University. He will retire from teaching in June 2018. He has published seven collections and six chapbooks of poems, as well as Wanting the Day:Selected Poems, which was published internationally (by Peterloo Poets of Cornwall, England, and Goose Lane Editions in Canada) and won the 2004 Atlantic Poetry Prize. His other honours have inclued two Malahat Review Long Poem Prizes, first prize in the Petra Kenney poetry awards, and the 2009 Acorn-Plantos Award for People’s Poetry. In 2014 Fitzhenry & Whiteside published his first book of prose, Ringing Here & There: A Nature Calendar (a 366-paragraph book of days going from April 1st to the following March 31st), followed by Branches Over Ripples: A Waterside Journal (Gaspereau Press, 2017), a “plein air” experiment, drafted outdoors by various bodies of water (lakes, rivers, brooks, ponds, marshes, bays, waterfalls, etc.). A selection of Brian’s prose on poetry from over two decades is gathered together in All Manner of Tackle: Living with Poetry (Palimpsest, 2017).

He has also edited the Collected Poems of Alden Nowlan; a book of prose, Don McKay: Essays on His Works; selections of poetry: Earthly Pages: The Poetry of Don Domanski and, all from The Porcupine’s Quill, The Essential James Reaney, The Essential Robert Gibbs, and The Essential Dorothy Roberts; and The Child Alone, an anthology of childhood poems from which parents and other adults are largely marginalized or excluded. His wife is Karen Dahl, a Halifax Regional Library system manager, and their two children are Josh and Laura.

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John Bell

John Bell is the author or editor of more than twenty books touching on various aspects of Canadian history and culture. A former editor of the poetry magazine Arc, he has contributed to a wide variety of periodicals, including Literary Review of Canada, Event, This Magazine, and Canadian Literature. His work has also appeared in numerous anthologies and collections. In addition, he has given readings and lectured on cultural history in many different venues and has served as the curator of several exhibitions and websites for the Canadian Museum of Caricature, the National Library, and the National Archives. He lives in Lunenburg.

The late Malcolm Ross, one of Canada’s most renowned literary scholars, offered the following description of John’s work: “John Bell is a unique figure in our literary landscape. He goes his own way and is more likely to create fashions than to follow them.”

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Jenni Blackmore

A new season just beginning! Definitely time to upgrade my bio; even though some things never change life’s experience continually morphs and expands. Have to love that 🙂

Part of me is still the kid from Manchester, England, who always wanted to be a writer, a painter and a farmer, living by the ocean, and much to my amazement, here I am, living my dream on a small island just east of Halifax. Of course I’m greatly influenced by the coastal environment and references to this locale have a way of sneaking into most of my work. I love my reality but I usually can’t resist adding a twist or two of magic to my work, especially my favorite genres of poetry, adult short fiction and childrens fiction.

As an illustrator and writer, I like to combine both these forms of expression, especially in my books for children. Recently, however the denizens of QuackaDoodle Farm, who take up a fair amount of my attention, have been demanding their space on the page and this has resulted in, Permaculture for the Rest of Us (New Society Publishing) a factual account of life here at QuackaDoodle,  my blog site  QuackaDoodle.Wordpress.com and occassional posts on the Mother Earth News Site.

My latest book The Foodlovers’ Garden (New Society) is scheduled for release May 2017 and I was delighted to be able to illustrate this with thirty+ illustrations and forty digital images, all celebrating the wonders of homegrown food. Yum! And oh so colourful.

The second edition of Gully Goes to Halifax flew into my life recently. The story remains mostly unchanged but this edition has twice the page size and all the illustrations are in full colour, so I’m delighted about that.

I believe everyone is writer at heart because of course we all have things to say, ideas to share. This is one of the reasons why I particularly enjoy leading writing workshops for both children and adults but mostly, it’s about the stories that get shared. Surely story is the thread that binds us all together while, equally importantly, poetry tends to magnify and perhaps suggest a new way of seeing both the mundane and the magical.

Please visit me at: Quackadoodle.wordpress.com for sporadic but ongoing news of life down here on the farm

 Jenni has been mentioned in “Our Choice Book List” and “Outstanding Canadian Children’s Books” by the Children’s Book Centre, Toronto. Her recent novel Island of Dead Souls came first in the Atlantic Writing competition YA category.

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Experience Levels

The Writers’ Federation of Nova Scotia (WFNS) uses the following terms to describe writers’ experience levels:

  • New writers: those with less than two years’ creative writing experience and/or no short-form publications (e.g., short stories, personal essays, or poems in literary magazines, journals, anthologies, or chapbooks).
  • Emerging writers: those with more than two years’ creative writing experience and/or numerous short-form publications.
  • Early-career authors: those with 1 or 2 book-length publications or the equivalent in book-length and short-form publications.
  • Established authors: those with 3 or 4 book-length publications.
  • Professional authors: those with 5 or more book-length publications.

Please keep in mind that each form of creative writing (fiction, nonfiction, poetry, writing for children, writing for young adults, and others) provides you with a unique set of experiences and skills, so you might consider yourself an ‘established author’ in one form but a ‘new writer’ in another.

Occasionally, WFNS uses the phrase “emerging and established writers/authors” to mean ‘writers and authors of all experience levels.’

The “Recommended experience level” section of each workshop description refers to the above definitions. A workshop’s participants should usually have similar levels of creative writing and / or publication experience. This ensures that each participant gets value from the workshop⁠ and is presented with info, strategies, and skills that suit their experience. 

For “intensive” and “masterclass” workshops, which provide more opportunities for peer-to-peer feedback, the recommended experience level should be followed closely.

For all other workshops, the recommended experience level is just that—a recommendation—and we encourage potential participants to follow their own judgment when registering.

If uncertain about your experience level with respect to any particular workshop, please feel free to contact us at communications@writers.ns.ca