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Brian Bartlett

BIOGRAPHY

Brian Bartlett was born in St. Stephen, New Brunswick, in 1953, grew up in Fredericton, lived for 15 years in Montreal, and moved to Halifax in 1990 to teach creative writing and literature at Saint Mary’s University. He will retire from teaching in June 2018. He has published seven collections and six chapbooks of poems, as well as Wanting the Day:Selected Poems, which was published internationally (by Peterloo Poets of Cornwall, England, and Goose Lane Editions in Canada) and won the 2004 Atlantic Poetry Prize. His other honours have inclued two Malahat Review Long Poem Prizes, first prize in the Petra Kenney poetry awards, and the 2009 Acorn-Plantos Award for People’s Poetry. In 2014 Fitzhenry & Whiteside published his first book of prose, Ringing Here & There: A Nature Calendar (a 366-paragraph book of days going from April 1st to the following March 31st), followed by Branches Over Ripples: A Waterside Journal (Gaspereau Press, 2017), a “plein air” experiment, drafted outdoors by various bodies of water (lakes, rivers, brooks, ponds, marshes, bays, waterfalls, etc.). A selection of Brian’s prose on poetry from over two decades is gathered together in All Manner of Tackle: Living with Poetry (Palimpsest, 2017).

He has also edited the Collected Poems of Alden Nowlan; a book of prose, Don McKay: Essays on His Works; selections of poetry: Earthly Pages: The Poetry of Don Domanski and, all from The Porcupine’s Quill, The Essential James Reaney, The Essential Robert Gibbs, and The Essential Dorothy Roberts; and The Child Alone, an anthology of childhood poems from which parents and other adults are largely marginalized or excluded. His wife is Karen Dahl, a Halifax Regional Library system manager, and their two children are Josh and Laura.

AWARDS

Winner of Malahat Review Long Poem Prize 1992, for “Underwater Carpentry”

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Winner of Malahat Review Long Poem Prize 1999, for “Hawthornden Improvisations”

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Winner of Petra Kenney Internatioanal Poetry Prize 2001, for “Foot-doctor for the Homeless”

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Shortlisted for Atlantic Poetry Prize 2003, for The Afterlife of Trees.

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Winner of Atlantic Poetry Prize 2004, for Wanting the Day: Selected Poems.

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Winner of Acorn-Plantos Award for Poetry’s Poetry 2008, for The Watchmaker’s Table.

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Shortlisted for J. H. Abraham Prize for Poetry 2015, for Ringing Here & There: A Nature Calendar.


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Simultaneous Submissions

The Writers’ Federation of Nova Scotia (WFNS) administers some programs (and special projects) that involve print and/or digital publication of ‘selected’ or ‘winning’ entries. In most cases, writing submitted to these programs and projects must not be previously published and must not be simultaneously under consideration for publication by another organization. Why? Because our assessment and selection processes depends on all submitted writing being available for first publication. If writing selected for publication by WFNS has already been published or is published by another organization firstcopyright issues will likely make it impossible for WFNS to (re-)publish that writing.

When simultaneous submissions to a WFNS program are not permitted, it means the following:

  • You may not submit writing that has been accepted for future publication by another organization.
  • You may not submit writing that is currently being considered for publication by another organization—or for another prize that includes publication.
  • The writing submitted to WFNS may not be submitted for publication to another organization until the WFNS program results are communicated. Results will be communicated directly to you by email and often also through the public announcement of a shortlist or list of winners. Once your writing is no longer being considered for the WFNS program, you are free to submit it elsewhere.
    • If you wish to submit your entry elsewhere before WFNS program results have been announced, you must first contact WFNS to withdraw your entry. Any entry fee cannot be refunded.

Prohibitions on simultaneous submission do not apply to multiple WFNS programs. You are always permitted to submit the same unpublished writing to multiple WFNS programs (and special projects) at the same time, such as the Alistair MacLeod Mentorship Program, the Emerging Writers Prizes, the Jampolis Cottage Residency Program, the Message on a Bottle contest, the Nova Writes Competition, and any WFNS projects involving one-time or recurring special publications.

Recommended Experience Levels

The Writers’ Federation of Nova Scotia (WFNS) recommends that participants in any given workshop have similar levels of creative writing and / or publication experience. This ensures that each participant gets value from the workshop⁠ and is presented with information, strategies, and skills that suit their career stage. The “Recommended experience level” section of each workshop description refers to the following definitions used by WFNS.

  • New writers: those with less than two years’ creative writing experience and/or no short-form publications (e.g., short stories, personal essays, or poems in literary magazines, journals, anthologies, or chapbooks).
  • Emerging writers: those with more than two years’ creative writing experience and/or numerous short-form publications.
  • Early-career authors: those with 1 or 2 book-length publications or the equivalent in book-length and short-form publications.
  • Established authors: those with 3 or 4 book-length publications.
  • Professional authors: those with 5 or more book-length publications.

Please keep in mind that each form of creative writing (fiction, nonfiction, poetry, and writing for children and young adults) provides you with a unique set of experiences and skills, so you might consider yourself an ‘established author’ in one form but a ‘new writer’ in another.

For “intensive” and “masterclass” creative writing workshops, which provide more opportunities for peer-to-peer feedback, the recommended experience level should be followed closely.

For all other workshops, the recommended experience level is just that—a recommendation—and we encourage potential participants to follow their own judgment when registering.

If you’re uncertain of your experience level with regard to any particular workshop, please feel free to contact us at communications@writers.ns.ca