Genre

William Kowalski

William Kowalski is the author of six works of literary fiction and six Rapid Reads for Reluctant Readers.  His work has been translated into over a dozen languages and has appeared on numerous international and regional best-seller lists, including the #5 spot on the Times of London (Eddie’s Bastard).  He is the 2001 winner of Exclusive Books’ Ama-Boeke Award (South Africa), was thrice nominated for the Ontario Library Association’s Golden Oak Award, and won the 2014 Thomas H. Raddall Atlantic Fiction Award.

William Kowalski Read More »

Bob Kroll

Bob Kroll has been writing professionally for more than thirty-five years. His work includes books, stage plays, radio dramas, TV documentaries, as well as historical docu-dramas for Canadian and American museums. He lives in Halifax, Nova Scotia.

Born New Haven, CT. Graduated Providence College and St. Thomas University.

Bob Kroll Read More »

Carole Glasser Langille

Carole Glasser Langille is the author of 5 books of poetry, 2 collections of short stories, 2 children’s books and a non-fiction book “Doing Time: Writing Workshops in Prison.”

Her second book of poetry, In Cannon Cave, was nominated for a Governor General’s Award in 1997, and the Atlantic Poetry Prize in 1998.                       “I Am What I Am Because You Are What You Are,” her second collection of short stories, was nominated for the Alistair MacLeod Award  for Short Fiction.  Her children’s book, Where the Wind Sleeps, was the Canadian Children’s Book Center Choice in 1996.

Several selections from Carole Glasser Langille’s book of poetry, Late In A Slow Time, have been adapted to music by renowned Canadian composer Chan Ka Nin. The production, also called Late In A Slow Time debuted at the 2006 Sound Symposium in St. John’s, Newfoundland and will be on Duo Concertante’s forthcoming CD.

Originally from New York City, where she studied with the poets John Ashbery and Carolyn Forche among others, Carole now lives in Black Point, Nova Scotia.

She has taught at The Humber School for Writing Summer Program, Maritime Writer’s Workshop, the Community of Writers in Tatamagouche, and at Women’s Words the University of Alberta. She has taught Creative Writing at Mount Saint Vincent University, Writing for the Arts at the Nova Scotia College of Art and Design, and currently teaches Creative Writing: Poetry at Dalhousie University.

Carole has given poetry readings in Athens, Delhi, Prague, London England, New York City, Kirkcudbright Scotland, and throughout Canada. She has received Canada Council Grants for poetry, non-fiction and fiction as well as Nova Scotia Cultural Arts grants for poetry and fiction.

Carole Glasser Langille Read More »

Diane Carmel Léger

For 20 years, Diane lived in Victoria, British Columbia, where she taught French Immersion and wrote books in both French and English. She had the incredible luck of living in Emily Carr’s home for her first year and, for her last year in Victoria. Her family was involved in saving some of the world’s tallest trees on Vancouver Island. Both experiences inspired her award-winning books such as the bestseller, Maxine’s Tree.

She is now living near her native village of Memramcook. It was her homesickness for the Maritimes that led her to writing her first book, La butte à Pétard. Published in 1989, this popular novel is the story of a family who escaped deportation by hiding in the woods. Since 1989, this book has been studied in Canadian and Cajun schools. The augmented edition won the Hackmatack Award in 2006.

Her latest short novel, Piau’s Potato Present is a story of friendship, peace and of the poutine râpée. This tale is based on German settlers’ anecdotes about Pierre Belliveau, an Acadian from the Annapolis Valley, who saved them from starvation.

Diane’s new picture book, My Two Grandmothers, is a gently humorous story which lovingly compares her Acadian Mémére and Scottish Nannie.

Diane Carmel Léger Read More »

Kathy-Diane Leveille

Kathy-Diane Leveille is a former broadcast journalist with the Canadian Broadcasting Corporation, who discovered the only thing more thrilling than reading a great suspense novel is trying to write one. Her short story collection, Roads Unravelling (Sumach Press), was published to critical acclaim after a selection from its pages Learning to Spin was adapted to radio drama for CBC’s Summer Drama Festival. The tale Showdown at the Four Corner’s Corral was revised for the stage and performed by New City Theater in Saint John. Her debut suspense novel, Let the Shadows Fall Behind You, was published by Kunati Books April 2009.  Standing in the Whale’s Jaw followed in 2013 from Tightrope Books. She is a member of Sisters in Crime, Crime Writers of Canada and the TWUC.

Kathy-Diane’s prose has been published in a number of literary journals including Grain, Room of One’s Own, Oklahoma Review, Pottersfield Portfolio and The Cormorant, as well as various anthologies such as Water Studies: New Voices in Maritime Fiction (Pottersfield Press) and New Brunswick Short Stories (Neptune). Along with being awarded numerous Canada Council Art Grants, Kathy-Diane’s fiction won the Short Grain Contest (dramatic monologue) in 2000 and was listed as a finalist in the Writers’ Union of Canada Short Fiction Contest in 2002. Her poetry received Honorable Mention in the Stephen Leacock International Poetry Competition. A humorous commentary I Know What You Didn’t Do Last Summer aired on CBC’s national morning show with Shelagh Rogers.

“Her settings and characters – their hopes and fears, verbal and behavioural ticks, even their smells – are keenly observed.” – The Globe and Mail

Kathy-Diane Leveille Read More »

Linda Little

Linda Little’s most recent novel is Grist (Roseway 2014). Her first children’s picture book, Work and More Work, was published by Groundwood in 2015. Her previous work includes two award-winning novels: Scotch River (Penguin 2006) and Strong Hollow (Goose Lane 2001). She has published short stories in many reviews and anthologies, including The Antigonish Review, Descant, Matrix, The Journey Prize Anthology, and The Penguin Book of Short Stories by Canadian Women. She teaches seasonally at the Dalhousie University Agricultural Campus.

Linda Little Read More »

Bretton Loney

Bretton Loney is a novelist and non-fiction writer who has published three novels and one biography. His 2015 biography, Rebel With A Cause: The Doc Nikaido Story, and his first novel, The Last Hockey Player, a dystopian story published in 2018, were nominated for Whistler Independent Book Awards.

In 2022 he published the novel Joe Howe’s Ghost, a paranormal political thriller.

In 2025 Bretton independently published his third novel, Unsettling Time, a murder mystery set in 1749 amid the first days of the new colony of Halifax.

Bretton is a native of Bow Island, Alberta and has undergraduate degrees from the University of Lethbridge and the University of King’s College in Halifax. He lives in Halifax with his wife, Karen Shewbridge.

Bretton Loney Read More »

Lezlie Lowe

Lezlie Lowe is a freelance writer, broadcaster and researcher.

The native Haligonian has worked as a writer and editor for Halifax weekly paper The Coast since 1995. She’s a weekly columnist for the Chronicle Herald, long-form documentary-maker for CBC radio and active freelancer.

Lezlie teaches feature writing and creative nonfiction at the University of King’s College and coordinates the first-year Foundations of Journalism class.

She has worked as principal researcher on documentary films for Life Network, the Independent Film Channel and Bravo and was the recipient of a 2004 Radio-Television News Directors Association of Canada honourable mention for Commentary and two Gold Awards for Feature Writing at the Atlantic Journalism Awards.

Lezlie Lowe Read More »

Anne Louise MacDonald

Anne Louise MacDonald was born with a passion for horses and a vivid imagination. She retired in 2015 from a lifetime of working with animals. Her days are now spent enjoying her two horses and her raggedy black dog, painting, creating driftwood sculptures … and writing.

She had three well received picture books published early on. Then her first YA novel, The Ghost Horse of Meadow Green, became an international best seller and is printed in five languages. Seeing Red is a companion book, second in her ‘Hug a Horse Farm’ series, which continued with horses, kids with real-life problems and a bit of the paranormal.  She also published the non-fiction self-illustrated My Natural Horses.

Over the years she has presented writing workshops for children and adults, and participated in many writing festivals and conference presentations. She is currently entertaining one on one writers retreats at her hobby farm in beautiful Antigonish County.

 

Anne Louise MacDonald Read More »

Frank Macdonald

Frank Macdonald is a writer living with his partner, artist Virginia McCoy, in his hometown of Inverness, Cape Breton, returning there after fulfilling his mandatory tour of duty in plants, factories, construction work and fast food cooking in other parts of North America. He earns his living as a columnist and reporter with The Inverness Oran, a weekly newspaper, and has won journalism awards for both his humourous/satirical weekly columns and his editorial writing.

When not escaping into the works of other writers, Frank tackles his literary interests, most notably the novel. His first novel, A Forest for Calum (Cape Breton University Press) was published in 2005, and was nominated for the Dartmouth Book Award, and was long-listed for IMPAC-Dublin Award. His second novel, A Possible Madness (Cape Breton University Press-2012) was nominated for Dartmouth Book Award and was also long-listed for the IMPAC-Dublin Award.

In 2010 Cape Breton University Press published a children’s novella, T.R.’s Adventure at Angus the Wheeler’s, illustrated by artist Virginia McCoy.

In 2011, his one-act play, Her Wake won Best Canadian Production at the Liverpool International Theatre Festival.

In 2014, his third novel, Tinker & Blue was published (Cape Breton University Press).

He has also published two collections of newspaper/magazine columns, Assuming I’m Right (Cecibu 1990) and How To Cook Your Cat (Cecibu-2003). In 1992-4 Mulgrave Road Theatre produced and toured a one-man play written by Macdonald depicting a day in the life of a newspaper columnist, based on the first collection of columns and also titled Assuming I’m Right.

Macdonald has also had poems published in a number of journals, as well a short stories, and song lyrics have been arranged and recorded by musicians. Frank has given public reading on numerous occasions for numerous occasions ranging from the CBC to the school classroom.

Frank Macdonald Read More »

Scroll to Top

Experience Levels

The Writers’ Federation of Nova Scotia (WFNS) uses the following terms to describe writers’ experience levels:

  • New writers: those with less than two years’ creative writing experience and/or no short-form publications (e.g., short stories, personal essays, or poems in literary magazines, journals, anthologies, or chapbooks).
  • Emerging writers: those with more than two years’ creative writing experience and/or numerous short-form publications.
  • Early-career authors: those with 1 or 2 book-length publications or the equivalent in book-length and short-form publications.
  • Established authors: those with 3 or 4 book-length publications.
  • Professional authors: those with 5 or more book-length publications.

Please keep in mind that each form of creative writing (fiction, nonfiction, poetry, writing for children, writing for young adults, and others) provides you with a unique set of experiences and skills, so you might consider yourself an ‘established author’ in one form but a ‘new writer’ in another.

Occasionally, WFNS uses the phrase “emerging and established writers/authors” to mean ‘writers and authors of all experience levels.’

The “Recommended experience level” section of each workshop description refers to the above definitions. A workshop’s participants should usually have similar levels of creative writing and / or publication experience. This ensures that each participant gets value from the workshop⁠ and is presented with info, strategies, and skills that suit their experience. 

For “intensive” and “masterclass” workshops, which provide more opportunities for peer-to-peer feedback, the recommended experience level should be followed closely.

For all other workshops, the recommended experience level is just that—a recommendation—and we encourage potential participants to follow their own judgment when registering.

If uncertain about your experience level with respect to any particular workshop, please feel free to contact us at communications@writers.ns.ca