Genre

Stephens Gerard Malone

Born in Ontario, educated in Montréal, Stephens Gerard Malone currently lives and writes on Canada’s east coast. In 1994, he published his first novel, Endless Bay (Mercury Press) under the pseudonym Laura Fairburn. His second novel, Miss Elva (Random House Canada), followed in 2005 and was short-listed for the Dartmouth Book Award. Malone’s next novel, I Still Have a Suitcase in Berlin (Random House Canada) made its debut in May 2008. Big Town (Nimbus Publishing/Vagrant Press) was published in 2011, The History of Rain (Nimbus Publishing/Vagrant Press) 2021, and Jumbo (Nimbus Publishing/Vagrant Press) 2023. Rights to his seventh novel The Unnameable have been sold to Nimbus Publishing/Vagrant Press for publication April 28, 2026. Malone is a past president of WFNS and was on the board of the Halifax Afterwords Literary Festival. (Photo Credit: Nikki Davison)

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Paul Marriner

Born in Halifax in 1944, Paul went to Dalhousie and Nova Scotia Tech and graduated in Mechanical Engineering. He taught at the Royal Military College in Kingston, where he also received a Master’s Degree. Paul now owns and operates Gale’s End Press. A member of the Outdoor Writer’s Association of Canada and the Writers Federation of Nova Scotia, his articles have appeared in magazines on five continents, and number in the hundreds. Paul’s books include: Fly Patterns of Canada, Modern Atlantic Salmon Flies (2000 Outdoor Writers Book Award), Atlantic Salmon: A Fly Fishing Reference, Fly Fishing in Lakes & Ponds, How to Choose & Use Fly-tying Thread, Stillwater Fly Fishing: Tools & Tactics, Atlantic Salmon – A Fly Fishing Primer (1994 Outdoor Writers Book Award), The Ausable River Journal, The Miramichi River Journal, and Mahone Bay Mornings. Several of the above are available in digital format. He has also contributed to several anthologies. In 1991 Paul won the Gregory Clark Award for outstanding contributions to the arts of fly fishing, and in 2008 won the Jean-Guy Côté Award for continuous contributions to the arts of fly tying. In 2008 he was also a member of the Outdoor Canada team of writers, who won a gold medal at the National Magazine Awards.

Now living in Mahone Bay, NS, Paul continues his association with the writing/publishing world via Gale’s End Press. Besides his own titles, he has edited and published two by other authors and created the design and layout for a third.

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Kathleen Martin

Kathleen Martin was born in Toronto, lived in Sudbury, Ontario, until she was 12 and then moved to Spring Valley in Illinois, a place that has been home to her father’s family for five generations. Her mother’s family has been rooted in Halifax for almost as long, and although her parents and older brother are still in Illinois, and she still misses hot summers and fields of corn stretching to the horizon, Halifax is where Kathleen is very happy to have ended up.

Kathleen came to Halifax by way of the University of Toronto, where she earned her BA (Honours) in English, and Queen’s University in Kingston, where she earned her master’s degree in English. She moved to Nova Scotia when Mike, now her husband, came to study the endangered leatherback sea turtle.

Kathleen is the author of six non-fiction books for children: Sturdy Turtles, Building Beavers, Floating Jellyfish, Gentle Manatees, Soaring Bald Eagles and Swimming Salmon (Lerner Publishing Group). She is also the author of Kamakwie: Finding Peace, Love and Injustice in Sierra Leone (Red Deer Press) for teenagers and adults. She is the Nova Scotia representative for the Canadian Children’s Book Centre, has edited children’s fiction books for Front Street/Cricket Books in Chicago, and was an acquisitions editor for the Cricket Magazine Group.

Kathleen also writes for adults. She was the Atlantic correspondent for Marketing Magazine for a decade. She edits fiction, poetry and non-fiction books for publishers in Canada and the United States, and has written for a variety of magazines and newspapers. She previously taught communications at Acadia University.

When she isn’t freelancing, Kathleen is the executive director of the Canadian Sea Turtle Network, which allows her to spend a lot of time with fishing community members across Nova Scotia and a lot of time learning about and attempting to help sea turtles, her favourite animals.

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Elaine McCluskey

Elaine McCluskey has written three novels and four short-story collections, all set in Atlantic Canada. Rafael Has Pretty Eyes won the Alistair MacLeod Award for Short Fiction in 2023. McCluskey’s latest novel,  The Gift Child, was released by Goose Lane Editions in March 2024. McCluskey has published over seventy short stories nationally and internationally. Valery the Great won the Other Voices short fiction contest; Bad Boys won the Pottersfield Portfolio contest. The Watermelon Social was a finalist for The Journey Prize and Something Pretty, Something Nice placed second in the Fish international short-story contest in Ireland. McCluskey’s stories have appeared in The Fiddlehead, The Antigonish Review, The Dalhousie Review, Gaspereau Review, Room, Other Voices, Pottersfield Portfolio, Riddle Fence, among others. She graduated from Dalhousie and the University of Western Ontario (MA) and lives in Dartmouth, with her husband, a photojournalist. They have two children.

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Ami McKay

As a writer of fiction, essays, musical theatre, radio documentaries and dramas, Ami is a dedicated artist who brings creativity and passion to her work. With over 15 years of experience in musical theater she has scored several productions, including The Clouds, Mother Courage, A Midsummer Night’s Dream and The Tempest.

She believes that the power and magic of a good story can only come through the strength of the characters, plot and place. Her work has been described as “a balance of stories – observation and internal musings, matter of factness and fancy.” Her radio documentary for the CBC, Daughter of Family G won an Excellence in Journalism Award at the 2003 Atlantic Journalism Awards and her novel, Given, was awarded second place in the 27th annual Atlantic Writing Competition.

Born in Indiana, Ami currently lives in an old farm house in Scots Bay, Nova Scotia. She’s an avid blogger and is an active member of PEN Canada as well as an Associate Editor of Fiction for The Antigonish Review.

Her first novel, The Birth House was published by Knopf Canada in 2006 as their New Face of Fiction’s 10th anniversary title (publication by Luitingh Sijthoff – Holland, and Wilhelm Goldmann Verlag -Random House Germany to follow).

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Susan McMaster

Almost a decade ago, poet Susan McMaster and her husband Ian found a beautiful summer home in Minasville on the Fundy shore, where they now spend much of each summer, returning to Ottawa each winters. Susan was the president of the League of Canadian Poets (2011-12), and is the author or editor of some 30 poetry books, anthologies, and periodicals, including recordings with First Draft, SugarBeat, and Geode Music & Poetry. Recent collections completed in Nova Scotia include Haunt>, Lizard Love: Artists scan poems by Susan McMaster, Pith & Wry: Canadian Poetry (ed.), Paper Affair: Poems Selected & New, and The Gargoyle’s Left Ear: Writing in Ottawa. Crossing Arcs: Alzheimer’s, My Mother, and Me, which both began and was finished in Minasville, was shortlisted for the the national Acorn-Plantos award and Lampman Poetry Prize, as well as the Ottawa Book Award.

Susan has presented her poetry across Canada and abroad, and broadcast on such shows as WordBeat, Go!, Richardson’s Roundup, As It Happens, and Morningside. Other projects include founding the national feminist and arts magazine Branching Out; writing “Dangerous Graces: Women’s Poetry on Stage” for the Great Canadian Theatre Company, “Dark Galaxies” for the National Arts Centre Atelier, and “Poetry in the Park,” for the summer festival in Ottawa. She organized “Convergence: Poems for Peace”, a millennial project to bring poetry and art from across Canada to all Parliamentarians in 2001. Convergence included a selection by Nova Scotian Carole Glasser Langille.

McMaster enjoys collaboration, and her poetry has inspired works by many artists and composers. She is grateful for a warm welcome into the Nova Scotia literary world through readings arranged by Marc Petersen at the Acoustic Maritime Music Festival (with bassist Alrick Huebener), Heather Pyrcz at Acadia University, Jeannette Lynes at St Francis-Xavier, David Rimmington at the Seahorse Tavern, Susan Sweet and Gwen Frankton at Galley 215, Doris Hagmann at the Avon Emporium, Kelly Bingham at Bing’s Eatery, the jams at the Minasville Community Centre and elsewhere, and Scott Rines and Kennetcook School. In 2006, Susan read her poem, written 25 years earlier, “Today, I turned everything around” and drank a glass of champagne with neighbours and friends and the crew who had just lifted her house up with two cranes, moved it 80 feet, and turned it around so 12 of 17 windows now open to views of the sea.

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Adele Megann

Adele Megann is a Newfoundlander based in Halifax. Her short fiction has been published in Canadian and US periodicals and anthologies. She has won several awards–including the Bronwen Wallace Memorial Award–and has given many readings and interviews. She has been told that her accent is charming. She thinks everyone else’s accents are charming.

Adele lived several years in Calgary, where she was part of the Pack of Liars writing workshop, and she was a fiction editor of Dandelion magazine. Over the years, Adele has been involved in the writing community by organizing readings, and teaching and judging creative writing.

After returning eastwards by moving to Nova Scotia in 1999, Adele became acquainted with her new home by participating in Writers in the Schools throughout the province. She performed at Playwrights in Performance Cabarets. She coordinated school matinees and wrote curriculum guides for Exodus Theatre Society.

In addition to her literary publications, she has also contributed several articles to an Irish magazine called Set Dancing News.

Adele’s day jobs usually involve teaching. She has taught diverse subjects–including music, drama and literacy–to children and adults, including those with disabilities. She sings, and plays several instruments, usually in the context of traditional Irish music. She lives with an assortment of humans and animals.

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Joanne Merriam

Joanne Merriam is a science fiction writer, poet, and editor. Her debut novel, Aether and Ego (Inanna Publications, 2026), is a steampunk retelling of Pride and Prejudice with the addition of space travel, dogs, and accidental death.

A former staff member of WFNS (1997-2001), she used to write a regular column for WFNS’ Eastword called “Caught in the Web.” In 2001, she left her position as Executive Assistant of WFNS to travel Canada by train, and then parts of the Northeastern and Southern United States. Her book of poetry, The Glaze from Breaking (Stride, 2005; Upper Rubber Boot, 2011), was written, in part, about those travels. In 2004, she immigrated to the USA, residing primarily in Nashville, Tennessee. From 2011 to 2019, she was the Publisher at Upper Rubber Boot Books, which is now on permanent hiatus. URB published numerous anthologies, perhaps most notably the first English-language anthology of solarpunk, Sunvault: Stories of Solarpunk & Eco-Speculation (eds. Phoebe Wagner and Bronté Wieland). She became an American citizen in 2019, and returned to Nova Scotia in 2024.

Her poetry and fiction has appeared in dozens of magazines and periodicals including The Antigonish Review, Asimov’s Science Fiction, Canadian Literature, Feux chalins, The Fiddlehead, Pottersfield Portfolio, and Strange Horizons, as well as the anthologies Ice: new writing on hockey and To Find Us: Words and Images of Halifax.

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Shandi Mitchell

Shandi Mitchell is an author and filmmaker. Her debut novel Under This Unbroken Sky was simultaneously published by Penguin Canada, Weidenfeld & Nicolson (UK) and Harper Collins (US). It has sold in nine countries, including translation rights for Chinese, Hebrew, Dutch and Italian. Under This Unbroken Sky won the 2010 Commonwealth regional Prize for First Book (Canada/Caribbean), the Thomas Head Raddall Fiction Award, and the Margaret and John Savage First Book Award. Her award-winning short films and feature film, The Disappeared, have played worldwide and garnered awards in cinematography, design, sound, performance, and direction. In 2008, she was awarded the Canada Council’s Victor Martin-Lynch Staunton Endowment in Media Arts. She has taught Introductory Screenwriting, Directing, and Fiction Writing Workshops. She has been a mentor for the AFCOOP and WFNS programs and a script consultant for Equinoxe International. She is currently teaching 4th year Creative Writing-Fiction at Dalhousie University, while completing her next novel.

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Carol Moreira

Novelist, journalist, editor, poet

Carol is a multi-genre novelist and a prize-winning journalist. She has published four young adult novels, three adult novels, and has a soon-to-be-released fantasy for adults.  She is a contributor to the non-fiction immigration anthology Coming Here, Being Here (Guernica Editions).

Inside Information, Carol’s most recent novel for older teens, was published by Hippie Hill Press in August 2023. Riptides, a novel for younger teens, was published by Moose House Publications in 2021. Membrane, her YA fantasy, was first published by Fierce Ink Press in July, 2013 and has recently been re-issued by Hippie Hill Press. Her YA novel, Charged, was published by James Lorimer in 2008.

Carol is also the author of three adult novels: Too Good, published by Hippie Hill in 2023, Culture Shock, published by Hippie Hill in 2024 and The Pet-Sit, published by Hippie Hill in 2025. Her adult fantasy, Terminal Indicators, will be published by Hippie Hill in 2026. She is one of more than 20 writers to participate in a group novel-writing adventure called Less Than Innocent published by Moose House in 2022.

UK-born Carol has also worked as a magazine and newspaper reporter and editor in Canada, England and Asia. She is a former editor of Celtic Life International magazine and is currently a partner in the Atlantic Canadian business news site www.entrevestor.com.

Carol has an English degree from London University and also studied Mandarin Chinese in Taipei, Shanghai and London’s Ealing School of Languages.

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Experience Levels

The Writers’ Federation of Nova Scotia (WFNS) uses the following terms to describe writers’ experience levels:

  • New writers: those with less than two years’ creative writing experience and/or no short-form publications (e.g., short stories, personal essays, or poems in literary magazines, journals, anthologies, or chapbooks).
  • Emerging writers: those with more than two years’ creative writing experience and/or numerous short-form publications.
  • Early-career authors: those with 1 or 2 book-length publications or the equivalent in book-length and short-form publications.
  • Established authors: those with 3 or 4 book-length publications.
  • Professional authors: those with 5 or more book-length publications.

Please keep in mind that each form of creative writing (fiction, nonfiction, poetry, writing for children, writing for young adults, and others) provides you with a unique set of experiences and skills, so you might consider yourself an ‘established author’ in one form but a ‘new writer’ in another.

Occasionally, WFNS uses the phrase “emerging and established writers/authors” to mean ‘writers and authors of all experience levels.’

The “Recommended experience level” section of each workshop description refers to the above definitions. A workshop’s participants should usually have similar levels of creative writing and / or publication experience. This ensures that each participant gets value from the workshop⁠ and is presented with info, strategies, and skills that suit their experience. 

For “intensive” and “masterclass” workshops, which provide more opportunities for peer-to-peer feedback, the recommended experience level should be followed closely.

For all other workshops, the recommended experience level is just that—a recommendation—and we encourage potential participants to follow their own judgment when registering.

If uncertain about your experience level with respect to any particular workshop, please feel free to contact us at communications@writers.ns.ca