Raddall Reading: David Huebert in Conversation with Alexander MacLeod (virtual)

David Huebert, author of the Thomas Raddall Atlantic Fiction Award-winning novel Oil People, sits down with Alexander MacLeod, author of Light Lifting and Animal Person, to discuss writing, fiction, storytelling, and the impact of the Raddall award.

Presented by the Writers’ Federation of Nova Scotia in partnership with Dalhousie Libraries.

Location: Zoom webinar

Date of public reading: Thursday, March 26, 2026 (7:30pm to 9pm Atlantic)

Attendance is free, but pre-registration is required

Part generational saga, part eco-gothic fable, Oil People is a luminous debut novel about history and family, land and power, and oil as an object of toxic wonder.

1987: Thirteen-year-old Jade Armbruster lives with her parents and older sister on the family’s vintage oil farm—a decrepit property built by her ancestor. As her parents fight about whether to sell the land and their failing business, Jade struggles to avoid her best-friend-turned-nemesis and vies for the attention of the enigmatic farmer boy. Meanwhile, the oil swirling beneath her family’s home provokes erratic behaviours and offers murky revelations about her family’s history on this land.  

1862:  Clyde Armbruster catches his big break, striking Lambton County’s first gusher. The discovery brings wealth and opportunity to him and his wife Lise, but his daily proximity to oil leaves him infertile and may be the cause of his alarming, otherworldly visions. At the same time, Clyde and Lise develop an alliance with their eccentric and wealthy neighbours, a relationship that promises even more success until a fateful moment intertwines the two families, locking them into a bitter rivalry that lasts generations.

As the two narratives coalesce, family secrets and deceits are slowly unveiled, and the slick spectre of oil seeps off the page, revealing a landscape smeared and stained, yet persistently alive. Intense and visceral, agile and lyrical, Oil People is a molten mirror for the petroleum age, and signals the arrival of a profound and vital voice.

(Synopsis courtesy of publisher Penguin Random House)

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Experience Levels

The Writers’ Federation of Nova Scotia (WFNS) uses the following terms to describe writers’ experience levels:

  • New writers: those with less than two years’ creative writing experience and/or no short-form publications (e.g., short stories, personal essays, or poems in literary magazines, journals, anthologies, or chapbooks).
  • Emerging writers: those with more than two years’ creative writing experience and/or numerous short-form publications.
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Please keep in mind that each form of creative writing (fiction, nonfiction, poetry, writing for children, writing for young adults, and others) provides you with a unique set of experiences and skills, so you might consider yourself an ‘established author’ in one form but a ‘new writer’ in another.

Occasionally, WFNS uses the phrase “emerging and established writers/authors” to mean ‘writers and authors of all experience levels.’

The “Recommended experience level” section of each workshop description refers to the above definitions. A workshop’s participants should usually have similar levels of creative writing and / or publication experience. This ensures that each participant gets value from the workshop⁠ and is presented with info, strategies, and skills that suit their experience. 

For “intensive” and “masterclass” workshops, which provide more opportunities for peer-to-peer feedback, the recommended experience level should be followed closely.

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