Poetry (adult)

Adam Foulds

I am a poet and novelist originally from the UK, now a Canadian resident. I’ve published four novels and a poetry collection and bunch of other things. I’ve won a number of literary awards, including being shortlisted for the Booker Prize. I’ve taught creative writing at workshops and universities in Britain, Canada, and elsewhere.

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Sonja Boon

Sonja Boon is an award-winning researcher, writer, teacher, and flutist.

She is the author of the memoir What the Oceans Remember: Searching for Belonging and Home (WLU Press, 2019), and has published creative non-fiction and fiction in ROOM magazine, The Ethnic Aisle, Riddle Fence, and Geist, among others, as well as in anthologies.

Sonja has been longlisted and shortlisted for a number of literary prizes, including the CBC Nonfiction Prize, BMO Winterset Award, Newfoundland and Labrador Book Awards, and ROOM Magazine’s Creative Non-Fiction Contest. In 2021, she won an NL Arts & Letters Award in Poetry.

As a researcher, Sonja is interested in bodies, stories, identities, and theories, and has published scholarly work on a variety of topics, including considerations of gender, class, embodiment, identity and citizenship in eighteenth-century medical letters, to breastfeeding selfies and virtual activism, autobiographies of infanticide, auto/ethnography and the embodiment of maternal grief, and craftivism in the feminist classroom.

She is the author or co-author of four scholarly books, most recently, The Routledge Introduction to Auto/Biography in Canada (with Laurie McNeill, Julie Rak, and Candida Rifkind, 2022) and Autoethnography and Feminist Theory at the Water’s Edge: Unsettled Islands (with Lesley Butler and Daze Jefferies, 2018).

Professor of Gender Studies at Memorial University from 2008-2023, she is the recipient of the Royal Society of Canada’s Ursula Franklin Award in Gender Studies (2020) and is a member of the Royal Society of Canada’s College of New Scholars, Artists, and Scientists.

For six years, Sonja was principal flutist with the Portland Baroque Orchestra. She has also appeared with the Toronto Symphony, the Hallé Orchestra (Manchester, UK), Philharmonia Baroque Orchestra (San Francisco), and the Holland Festival of Early Music, among others. She has taught flute and performance practice at Bangor University, UBC, and Chetham’s School of Music.

Sonja is currently Vice President of WritersNL and a board member with Riddle Fence.

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Anne Lévesque

Anne Lévesque’s poetry, essays and fiction have appeared in Canadian and international journals and anthologies. She is the author of the novels ‘Lucy Cloud’ (Pottersfield Press 2018) and ‘The Secret Lives of Public Servants’ (Galleon Books 2025). She lives on the west coast of Unama’ki – Cape Breton Island.

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Allison LaSorda

Allison LaSorda’s writing has been nominated for National Magazine Awards and the CBC Poetry Prize, and selected as a Notable Essay in Best American Essays 2021. A recipient of scholarships from the Banff Centre for Arts and Creativity and the Vermont Studio Center residencies, she is a contributing editor at Brick, A Literary Journal. Her work has appeared in Literary Hub, The New Quarterly, The Malahat Review, Scientific American, The Walrus, CNQ, The Globe and Mail, Southern Humanities ReviewHazlitt, and other venues. Allison lives in Halifax, Nova Scotia.

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Angus MacCaull

Angus MacCaull is a Canadian journalist and poet with work in Newsweek, Maclean’sToronto Star, The Globe and Mail, The Walrus and more. He is also the author of three picture books for children. A longtime resident of Nova Scotia, he now lives with his young family in Toronto.

Angus is currently working on Ghost Tones, a memoir about mental health, music, and loss. The book tracks the various therapies, mindfulness practices, and drugs he took over a ten-year period after being told at sixteen that he could be one of the best clarinetists in the world—but then losing music due to tinnitus.

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Joseph Howse

Joseph Howse writes fiction and poetry, as well as technical books on computer programming and image analysis. He lives in a Nova Scotian fishing village, where he chats with his cats and nurtures an orchard of hardy fruit trees.

Joseph’s debut novel, The Girl in the Water, has won the 2023 Independent Press Award for Literary Fiction and the 2023 IAN Book of the Year Awards for Outstanding Multicultural Fiction. He is currently working on the sequel, The Circus and the Atom. These novels are the start of a multigenerational saga called Next Year’s Snow, which hinges on the friendship and strife of two families in the Soviet/post-Soviet world.

Some of Joseph’s latest work is published or forthcoming in Litbreak MagazineHumana Obscura, paint me (37th Anthology of the New Zealand Poetry Society), Haiku Canada Review, and The Poetry Lighthouse Anthology (Volume II).

Joseph has experience doing business, volunteer work, and speaking engagements on six continents. He has won several awards from Bpeace (a pro bono consulting group) for his work on business mentorship projects in El Salvador and Guatemala.

As a graduate of Dalhousie University, Joseph holds a BA in French, MBA in International Business, MA in International Development Studies, and Master of Computer Science.

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Jan Morrison

Jan Morrison’s poems have appeared in  literary journals such as Grain, Pottersfield Portfolio, and Newfoundland Quarterly. Her plays, States of Grace; Death, the MusicalShroom!Fields of Crimson; and Mrs. Finney’s Hat have been staged at The Chester Playhouse; Neptune Theatre; The Halifax Fringe Festival;  and Eastern Front Theatre. She has recently had her debut novel published by Boulder Books – The Crooked Knife. When not writing Jan likes to garden and ramble the shore near her home in Prospect, NS.

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Experience Levels

The Writers’ Federation of Nova Scotia (WFNS) uses the following terms to describe writers’ experience levels:

  • New writers: those with less than two years’ creative writing experience and/or no short-form publications (e.g., short stories, personal essays, or poems in literary magazines, journals, anthologies, or chapbooks).
  • Emerging writers: those with more than two years’ creative writing experience and/or numerous short-form publications.
  • Early-career authors: those with 1 or 2 book-length publications or the equivalent in book-length and short-form publications.
  • Established authors: those with 3 or 4 book-length publications.
  • Professional authors: those with 5 or more book-length publications.

Please keep in mind that each form of creative writing (fiction, nonfiction, poetry, writing for children, writing for young adults, and others) provides you with a unique set of experiences and skills, so you might consider yourself an ‘established author’ in one form but a ‘new writer’ in another.

Occasionally, WFNS uses the phrase “emerging and established writers/authors” to mean ‘writers and authors of all experience levels.’

The “Recommended experience level” section of each workshop description refers to the above definitions. A workshop’s participants should usually have similar levels of creative writing and / or publication experience. This ensures that each participant gets value from the workshop⁠ and is presented with info, strategies, and skills that suit their experience. 

For “intensive” and “masterclass” workshops, which provide more opportunities for peer-to-peer feedback, the recommended experience level should be followed closely.

For all other workshops, the recommended experience level is just that—a recommendation—and we encourage potential participants to follow their own judgment when registering.

If uncertain about your experience level with respect to any particular workshop, please feel free to contact us at communications@writers.ns.ca