Nonfiction (adult)

Angela Mombourquette

Angela Mombourquette is the adult non-fiction editor at Nimbus Publishing, a freelance writer, and the author of 25 Years of 22 Minutes: An Unauthorized Oral History of This Hour Has 22 Minutes. She is also the co-author, with Len Wagg, of We Rise Again: More Stories of Hope and Resilience from Nova Scotia during the Covid-19 Pandemic. Both books were published by Nimbus. She has a Master of Journalism from the University of King’s College and has worked as a sessional instructor in the undergraduate journalism program there.

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Paul Zann

Paul is a versatile author: adult novel: A Real Son of a ‘Vitch; children’s books: The Aussie Six in Canada, The Aussie Six in Australia, The Aussie Six in Spain, and The Weirdest Class; book of satirical essays: You’ve Gotta be Kidding!; plays: Strike! and The Parasite/s; poetry book: Crouching at the Keyhole; numerous poems and stories in Canadian, U.S., Australian, and Spanish journals.

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Alice Burdick

Alice Burdick lives and writes poetry in Lunenburg, Nova Scotia. Alice moved to Halifax in 2002 from Toronto, Ontario, where she was born and raised. She has also lived in Espanola, Vancouver, and on the Sechelt Peninsula in BC. She is a poet, essayist, and cookbook author who also edits, proofreads, does manuscript evaluations, and leads workshops for adults and children.

Burdick has been involved with the small press community in Canada since the early 1990’s, when she was co-editor, with Victor Coleman, of The Eternal Network. This very small ongoing imprint produced chapbooks, including several of her own works, such as Signs Like This, Fun Venue, and Voice of Interpreter. Her work has been published by other small presses in Canada, including: Proper Tales Press (a Time, My Lump in the Bed: Love Poems for George W. Bush); Letters Press (Covered); and BookThug (The Human About Us). It also has appeared in various magazines, such as Hava LeHaba (from Tel Aviv, Israel), Event Magazine, Canadian Poetries, Two Serious Ladies (from the US), Dig, What!magazine, subTerrain, fhole, This Magazine, and Who Torched Rancho Diablo? From 1992-1995, Alice was assistant coordinator of the Toronto Small Press Fair. She has also done numerous readings over the years in many different venues, including the VerseFest Ottawa, Ottawa International Writers Festival, The Scream in High Park in Toronto, and the Halifax Word on the Street. She co-owned the former Lexicon Books in Lunenburg from 2014 to 2020, where she organized and promoted readings and events, including Lexicon Salons, where poets and musicians collaborated.

Her sixth book of poetry, ”Ox Lost, Snow Deep” was released in Fall 2024 from Anvil Press/a feed dog books.

Deportment, a book of selected poems from the early 1990s onward, was released by Wilfrid Laurier University Press in the autumn of 2018. Book of Short Sentences came out in the spring of 2016 from Mansfield Press following Holler, 2012, and Flutter,2008 (both Mansfield Press). Two collaborative poems have shown up in Our Days In Vaudeville by Stuart Ross and 29 Collaborators (Mansfield Press, Fall 2013). Her poems have appeared in Shift & Switch: New Canadian Poetry (The Mercury Press, Fall 2005), Surreal Estate: 13 Canadian Poets Under the Influence, An Anthology of Surrealist Canadian Poetry (The Mercury Press, Fall 2004), and in Pissing Ice: An Anthology of ‘New’ Canadian Poets, (BookThug, 2004, as well as other anthologies. Her first perfect-bound book was Simple Master, published in 2002 by Pedlar Press.

Her essays have appeared in three recent anthologies: “Home” from MacIntyre Purcell, 2018, “Gush” from Frontenac House, 2018, and “Locations of Grief” from Wolsak & Wynn, 2020.

Her poem ”Terms and Conditions” was shortlisted for the first Lemon Hound Poetry Prize in 2014.

Read more about Alice Burdick in interviews conducted by Alex Porco on Open Book Toronto and on Lemon Hound and in gallery form here. You can watch and listen to Alice read some poems on a beach here.

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Julie Vandervoort

Julie Vandervoort writes creative non-fiction and memoir. She has worked with mentors Isabel Huggan (Humber School for Writers), Carol Bly and Philip Lopate (Vermont Studio Centre, creative non-fiction intensive) and David Carpenter (Sage Hill Writing Experience, advanced fiction program). She produced a piece called “Moving from Coping to Creating” at a national law conference and presented at the 2003 Canadian Conference of the Arts as part of the program “The Creativity Gap: How the Arts Inspire an Innovative Society”. In 2009, her essay “Measures” was chosen as a keynote presentation at the conference Imagining Amsterdam: Visions and Revisions. Julie has given many public readings across Canada and at PalabrArte in Mexico, served on grants juries, on the board of the Writers’ Federation of Nova Scotia, and as associate fiction editor of The Antigonish Review. She has worked extensively in human rights law and as an environmental activist and singer with the international Gaia Project. This project coordinated the production of a double CD in 2003 (O Beautiful Gaia: Love Songs to Earth) and a 2007 CD of music inspired by the Earth Charter (My Heart is Moved).

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Steve Vernon

Steve Vernon has been writing and telling stories for over 40 years. He’s read on CBC radio, Breakfast Television, Global Noon and at schools and libraries across Canada. Steve was a great hit with the kids at the inaugural FUNNY PAGES festival at the Halifax Central Library.

He has released five ghost stories collections, one young adult novel, one children’s picture book, and one collection of historical maritime murder tales, Maritime Murder with a second collection, More Maritime Murder due out in the fall of 2022 from local publisher Nimbus.

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J.A. (Andy) Wainwright

Andrew was born in Toronto and has lived in NS since 1972. He is McCulloch Emeritus Professor in English, with a speciality in Canadian and contemporary literature. His influences include Patrick White, Lawrence Durrell, and Bob Dylan. He has received Canada Council grants for poetry, fiction, and non-fiction. He lives in Halifax with his partner Marjorie Stone.

In 2019 he won the Guernica Literary Prize for his unpublished manuscript This Cleaving and This Burning, which will be published by Guernica editions in 2020.

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Alice Walsh

Alice Walsh writes fiction and nonfiction for adults and children.  Her published work includes nine books for children and young adults. Many of her books have been nominated for or won awards. A number of them have  been listed as Best Books for Children and Teens in Canada.  Her YA novel Pomiuk; Prince of the North (Dundurn 2005) won the Ann Connor Brimer award.

Alice graduated from St. Mary’s University with degrees in criminology and English, and from Acadia with a master’s in Children’s Literature. She has worked as a preschool teacher, volunteer probation officer, creative writing instructor, and hospital ward clerk.

 

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Deborah Stiles

Deborah Stiles was born and raised in Appalachia, in West Virginia, but found herself moving northward in 1988. A graduate of the University of Maine’s M.A. in Creative Writing in 1990 with the thesis No Curtains on These Windows (a collection of short stories), she has published poems, short stories, agriculture and cooking articles, and scholarly articles in a wide variety of journals in Canada and the U.S.

In 2002, BrickHouse Books (Baltimore, Maryland), published her book-length poem, Movement Catalogued; in 1991, Northern LightsPress (Orono, Maine) published her poetry collection, Riding Limestone. She has completed two additional poetry manuscripts, whose poems have appeared in The Fiddlehead, The Carleton Arts Review, To, Kennebec, Zymergy, Nashwaak Review, Pottersfield Portfolio, and elsewhere. In 1997, after living in Fredericton, NB for three years, she applied for landed immigrant status and also completed her Ph.D. (University of Maine, History) with a doctoral thesis on the Fredericton-based-but rurally-oriented poet and newspaper editor, Martin Butler (1857-1915). Currently, she is working on several projects, including a novel and also the revision of her thesis on Martin Butler. In January 2004, she became a Canadian citizen.

An Associate Professor in Humanities at the Nova Scotia Agricultural College, and a part-time farmer, Stiles enjoys teaching history, writing and literature courses and sharing her love of the natural world, agriculture, and rural society that is an integral part of her creative work.

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Jon Tattrie

Jon Tattrie is the editor of Atlantic Books Today and a freelance journalist with CBC and other media outlets. He’s the author of two novels and six nonfiction books, including Peace by Chocolate and The Hermit of Africville.
He holds an MFA in creative nonfiction from the University of Kings College and has taught writing and journalism at Kings and at Dalhousie University. He now helps people write their own books through Write Now! with Jon Tattrie at jontattrie.ca

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Experience Levels

The Writers’ Federation of Nova Scotia (WFNS) uses the following terms to describe writers’ experience levels:

  • New writers: those with less than two years’ creative writing experience and/or no short-form publications (e.g., short stories, personal essays, or poems in literary magazines, journals, anthologies, or chapbooks).
  • Emerging writers: those with more than two years’ creative writing experience and/or numerous short-form publications.
  • Early-career authors: those with 1 or 2 book-length publications or the equivalent in book-length and short-form publications.
  • Established authors: those with 3 or 4 book-length publications.
  • Professional authors: those with 5 or more book-length publications.

Please keep in mind that each form of creative writing (fiction, nonfiction, poetry, writing for children and young adults, and others) provides you with a unique set of experiences and skills, so you might consider yourself an ‘established author’ in one form but a ‘new writer’ in another.

The “Recommended experience level” section of each workshop description refers to the above definitions. A workshop’s participants should usually have similar levels of creative writing and / or publication experience. This ensures that each participant gets value from the workshop⁠ and is presented with information, strategies, and skills that suit their career stage. 

For “intensive” and “masterclass” workshops, which provide more opportunities for peer-to-peer feedback, the recommended experience level should be followed closely.

For all other workshops, the recommended experience level is just that—a recommendation—and we encourage potential participants to follow their own judgment when registering.

If you’re uncertain of your experience level with regard to any particular workshop, please feel free to contact us at communications@writers.ns.ca