Julie Vandervoort

BIOGRAPHY
Julie Vandervoort writes creative non-fiction and memoir. She has worked with mentors Isabel Huggan (Humber School for Writers), Carol Bly and Philip Lopate (Vermont Studio Centre, creative non-fiction intensive) and David Carpenter (Sage Hill Writing Experience, advanced fiction program). She produced a piece called “Moving from Coping to Creating” at a national law conference and presented at the 2003 Canadian Conference of the Arts as part of the program “The Creativity Gap: How the Arts Inspire an Innovative Society”. In 2009, her essay “Measures” was chosen as a keynote presentation at the conference Imagining Amsterdam: Visions and Revisions. Julie has given many public readings across Canada and at PalabrArte in Mexico, served on grants juries, on the board of the Writers’ Federation of Nova Scotia, and as associate fiction editor of The Antigonish Review. She has worked extensively in human rights law and as an environmental activist and singer with the international Gaia Project. This project coordinated the production of a double CD in 2003 (O Beautiful Gaia: Love Songs to Earth) and a 2007 CD of music inspired by the Earth Charter (My Heart is Moved).

AWARDS

Winner of the Manitoba Historical Society prize for Best Scholarly Book; ‘Tell the Driver’

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Winner of the Long Grain of Truth creative non-fiction contest; ‘The Debit Slips’

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Winner in the Geist Postcard Story Contest; ‘People Who Know Who They Are’

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Grand Prize Winner of the PRISM international Literary Nonfiction Contest; ‘Counting Out Loud’


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Simultaneous Submissions

The Writers’ Federation of Nova Scotia (WFNS) administers some programs (and special projects) that involve print and/or digital publication of ‘selected’ or ‘winning’ entries. In most cases, writing submitted to these programs and projects must not be previously published and must not be simultaneously under consideration for publication by another organization. Why? Because our assessment and selection processes depends on all submitted writing being available for first publication. If writing selected for publication by WFNS has already been published or is published by another organization firstcopyright issues will likely make it impossible for WFNS to (re-)publish that writing.

When simultaneous submissions to a WFNS program are not permitted, it means the following:

  • You may not submit writing that has been accepted for future publication by another organization.
  • You may not submit writing that is currently being considered for publication by another organization—or for another prize that includes publication.
  • The writing submitted to WFNS may not be submitted for publication to another organization until the WFNS program results are communicated. Results will be communicated directly to you by email and often also through the public announcement of a shortlist or list of winners. Once your writing is no longer being considered for the WFNS program, you are free to submit it elsewhere.
    • If you wish to submit your entry elsewhere before WFNS program results have been announced, you must first contact WFNS to withdraw your entry. Any entry fee cannot be refunded.

Prohibitions on simultaneous submission do not apply to multiple WFNS programs. You are always permitted to submit the same unpublished writing to multiple WFNS programs (and special projects) at the same time, such as the Alistair MacLeod Mentorship Program, the Emerging Writers Prizes, the Jampolis Cottage Residency Program, the Message on a Bottle contest, the Nova Writes Competition, and any WFNS projects involving one-time or recurring special publications.

Recommended Experience Levels

The Writers’ Federation of Nova Scotia (WFNS) recommends that participants in any given workshop have similar levels of creative writing and / or publication experience. This ensures that each participant gets value from the workshop⁠ and is presented with information, strategies, and skills that suit their career stage. The “Recommended experience level” section of each workshop description refers to the following definitions used by WFNS.

  • New writers: those with less than two years’ creative writing experience and/or no short-form publications (e.g., short stories, personal essays, or poems in literary magazines, journals, anthologies, or chapbooks).
  • Emerging writers: those with more than two years’ creative writing experience and/or numerous short-form publications.
  • Early-career authors: those with 1 or 2 book-length publications or the equivalent in book-length and short-form publications.
  • Established authors: those with 3 or 4 book-length publications.
  • Professional authors: those with 5 or more book-length publications.

Please keep in mind that each form of creative writing (fiction, nonfiction, poetry, and writing for children and young adults) provides you with a unique set of experiences and skills, so you might consider yourself an ‘established author’ in one form but a ‘new writer’ in another.

For “intensive” and “masterclass” creative writing workshops, which provide more opportunities for peer-to-peer feedback, the recommended experience level should be followed closely.

For all other workshops, the recommended experience level is just that—a recommendation—and we encourage potential participants to follow their own judgment when registering.

If you’re uncertain of your experience level with regard to any particular workshop, please feel free to contact us at communications@writers.ns.ca