Virginia Konchan is the author of the poetry collections Any God Will Do (Carnegie Mellon University Press, 2020) and The End of Spectacle (Carnegie Mellon University Press, 2018), a collection of short stories, Anatomical Gift (Noctuary Press, 2017), and four chapbooks, That Tree is Mine (Gaspereau Press, 2020), Empire of Dirt (above/ground press, 2019), The New Alphabets (Anstruther Press, 2019), and Vox Populi (Finishing Line Press, 2015). She holds degrees from Beloit College (BA), Cleveland State University (MFA), and the University of Illinois-Chicago (Ph.D). Her poems have appeared in The New Yorker, Best New Poets, The Believer, and The New Republic, her essays and criticism in Kenyon Review Online, Boston Review, Jacket2, and Guernica, her translations in The Brooklyn Rail, Asymptote and Circumference, and her fiction in StoryQuarterly, Joyland, and Memorious, among other places. Her work has been anthologized in several collections, and her honors include grants and fellowships from the National Endowment for the Humanities, Vermont Studio Center, Ox-Bow, The Banff Center, and Scuola Internazionale di Grafica in Venice. Co-founder of Matter, a journal of poetry and political commentary, and Associate Editor for Tupelo Quarterly, she currently lives and works in Halifax.
From the Annapolis Valley. Travelled across North Amrica, Europe, India, Japan, Cameroon, Tunisia. Bachelor’s of Nordic studies from the Sorbonne in 2016, Master’s in sociology in 2017; year of study in Tromsø, Norway, Study certificate from the University of Vaasa (Fi.), and The Askov Folkehøjskole (DK.).
Started publishing poetry in 2010, has since published poetry, short stories, essays, and theatre in both English and French, in Canada and in Europe. His first three plays were published in Paris in 2016-2017. In 2017, co-directed and co-wrote one film (in Denmark) ; Tallinn, hvor smuk du er. Also a musician and a songwriter, has had the opportunity to play in Canada, France, Germany, Norway, Denmark, India and japan, and has produced a certain number of recordings. He has also been invited as an official poet as certain events, such as one of the official poets of the SNA at the 2019 CMA, in Moncton.
David A. Wimsett works include poetry, fiction and non-fiction. He examines relationships between people and explores women’s issues in many of his works by placing characters in situations where they expose their nature while moving stories forward. He enjoys creating literary and genre fiction with the belief that good writing is good writing, no matter the form.
David is a member of the Writers’ Union of Canada, the Canadian Freelance Guild and the Writers Federation of Nova Scotia on the Writers’ Council.
G.V. Loewen is the author of thirty books in print and is one of Canada’s leading contemporary thinkers. His non-fiction works include books in education, ethics, health, aesthetics and social theory. He recently wrote an eleven volume adventure saga for young persons and other shorter fiction works. Loewen is apparently also the most prolific scholarly book writer of ‘Generation X’ (1963-1981). He is a student of phenomenology and hermeneutics. Born in Victoria, January 31, 1966, Loewen was educated at the University of Victoria with a BA and MA in anthropology and at the University of British Columbia, receiving the PhD in anthropology in 1997. He held two tenure stream positions in the United States before taking up his academic position in Saskatoon, Canada, in 2005, where he was chair of the sociology department for five years and from which he retired in 2018. Over the course of his career, Loewen won two major teaching awards at two universities and was nominated for four others.
Tim lived in various areas of British Columbia and Ontario before moving to Nova Scotia. A part-time student for more than thirty years, and still taking courses, he has bachelor degrees in English Literature and Film Studies, and a Master’s in Canadian Studies, where he researched film classification systems. Published research includes an international study of how film classification agencies accommodate children’s participation rights under the United Nations Convention on the Rights of the Child.
Other publications include personal essays, short humour, poetry, biographies, film reviews, and articles about using computers. He has several romance novels in various stages of drafting or completion. He is a member of Romance Writers of America and The American Copy Editors Society.
His day job is technical writing and training for a software company, and he also works as an editor and web site consultant for WordPress sites. He volunteers for Open Heart Forgery (a local poetry cooperative), Dartmouth Players Theatre Society, the Atlantic Film Festival, and the Bluenose Marathon.
Jacqueline Dumas’s latest novel is The Heart Begins Here, (Inanna Publications, 2018).
Her previous writing experience includes two published novels: Madeleine & the Angel (Fifth House, 1989); The Last Sigh (Fifth House, 1993); a children’s picture book: And I’m Never Coming Back(Annick Press, 1986); and a one-act play, Secrets,whichwas produced at the 2013 Edmonton International Fringe Festival.
She was born in Alberta and spent most of her working life there. She has extensive experience in the book business, including ownership and management of two Edmonton bookshops over the years, most recently Orlando Books (1993-2002), a progressive bookstore that specialized in post-colonial issues, cultural studies, feminisms, queer studies, and literature from small presses.
When Orlando Books closed, Dumas went back to school and obtained a Master of Education in Teaching English as a Second Language from the University of Alberta. She has since taught English at Grant MacEwan University, the University of Alberta, and Dalhousie University. She has also designed and facilitated creative writing workshops and served as coordinator of the Writer-in-Exile program for the City of Edmonton.
She moved to Nova Scotia in July 2013.
While completing an MFA in Creative Writing at Brown University, I led fiction-writing workshops for undergraduates at the beginner and intermediate levels.
Some years later, I taught a screenwriting workshop to undergraduates at the University of Maine at Orono.
More recently I led a fiction workshop at the Inverness Centre for the Arts in Cape Breton.
This fall (2018) I will be teaching fiction workshops at the Cabot Trail Writers Festival in Cape Breton and at the Word Festival in Blue Hill, Maine.
Cooper Lee Bombardier is a writer and visual artist originally from the South Shore of Boston. He has been a construction worker, a cook, a carpenter, a union stagehand, a bouncer, a welder, a shop steward, a dishwasher, a truck driver, and a housepainter, among other things, for a paycheck. His writing appears in many publications and anthologies, such as The Kenyon Review, CutBank, Nailed Magazine, and The Rumpus; and recently in the Lambda Literary Award-winning anthology The Remedy–Essays on Queer Health Issues (ed. Zena Sharman) and Meanwhile, Elsewhere: Speculative Fiction From Transgender Writers, winner of the 2018 American Library Association Stonewall Book Awards Barbara Gittings Literature Award (eds. Cat Fitzpatrick and Casey Plett). The Huffington Post listed Cooper as one of “10 Transgender Artists Who Are Changing The Landscape Of Contemporary Art.” His visual art was recently curated in an exhibition called “Intersectionality” at the Museum of Contemporary Art in North Miami, and hung recently in shows at Meow Wolf in Santa Fe, NM, the National Queer Arts Festival in San Francisco, and at Helltown Workshop in Provincetown, MA. A veteran of the original Sister Spit tours, he’s performed, lectured, and exhibited art across North America. Cooper is the fiction editor at Gertrude Press, an ELL volunteer tutor for immigrant community members at his local public library. He has received fellowships from the Regional Arts and Culture Council, Lambda Literary Foundation, and RADAR Labs. Cooper Lee has taught writing at the University of Portland, Clark College, Portland State University, and at various Portland-area high schools as a writer-in-residence through Literary Art’s program Writers in The Schools. He is a 2018 Visiting Writer at the Pacific Northwest College of Art’s Critical Studies graduate program.
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