Fiction (adult)

donalee Moulton

donalee Moulton has been writing professionally for over 25 years. Her byline has appeared in more than 100 magazines and newspapers throughout North America – and beyond. Among the publications donalee has written for are The Globe and Mail, Chatelaine, Maclean’s, Canadian Business and The National Post.

donalee Moulton’s first mystery book Hung out to Die was published in 2023. A historical mystery, Conflagration!, was published in 2024. It won the 2024 Daphne du Maurier Award for Excellence in Mystery/Suspense (Historical Fiction). donalee has two new books in 2025, Bind and Melt, the first in a new series, the Lotus Detective Agency.

A short story “Swan Song” was one of 21 selected for publication in Cold Canadian Crime. It was shortlisted for an Award of Excellence. Other short stories have been published in numerous anthologies and magazines. donalee’s short story “Troubled Water” was shortlisted for a 2024 Derringer Award and a 2024 Award of Excellence from the Crime Writers of Canada.

As well, donalee is the author of the non-fiction book The Thong Principle: Saying What You Mean and Meaning What You Say, and co-author of Better Policy | Better Performance: The Who, Why, and What of Organizational Policy and Celebrity Court Cases: Trials of the Rich and Famous.

donalee has had poetry published in Arc Poetry Journal, Queen’s Quarterly, Prairie Fire, The Dalhousie Review, Atlantis,  South Shore Review, Carousel, and Whetstone, among others. She is a former editor of The Pottersfield Portfolio and Atlantic Books Today.

donalee is a teacher. She has taught writing, editing, grammar and communications for the past 20 years in a variety of programs. She currently teaches numerous writing and editing courses as part of the Executive and Professional Development program at Saint Mary’s University, and has taught courses at Dalhousie University and Mount Saint Vincent University.

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Kathy-Diane Leveille

Kathy-Diane Leveille is a former broadcast journalist with the Canadian Broadcasting Corporation, who discovered the only thing more thrilling than reading a great suspense novel is trying to write one. Her short story collection, Roads Unravelling (Sumach Press), was published to critical acclaim after a selection from its pages Learning to Spin was adapted to radio drama for CBC’s Summer Drama Festival. The tale Showdown at the Four Corner’s Corral was revised for the stage and performed by New City Theater in Saint John. Her debut suspense novel, Let the Shadows Fall Behind You, was published by Kunati Books April 2009.  Standing in the Whale’s Jaw followed in 2013 from Tightrope Books. She is a member of Sisters in Crime, Crime Writers of Canada and the TWUC.

Kathy-Diane’s prose has been published in a number of literary journals including Grain, Room of One’s Own, Oklahoma Review, Pottersfield Portfolio and The Cormorant, as well as various anthologies such as Water Studies: New Voices in Maritime Fiction (Pottersfield Press) and New Brunswick Short Stories (Neptune). Along with being awarded numerous Canada Council Art Grants, Kathy-Diane’s fiction won the Short Grain Contest (dramatic monologue) in 2000 and was listed as a finalist in the Writers’ Union of Canada Short Fiction Contest in 2002. Her poetry received Honorable Mention in the Stephen Leacock International Poetry Competition. A humorous commentary I Know What You Didn’t Do Last Summer aired on CBC’s national morning show with Shelagh Rogers.

“Her settings and characters – their hopes and fears, verbal and behavioural ticks, even their smells – are keenly observed.” – The Globe and Mail

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Linda Little

Linda Little’s most recent novel is Grist (Roseway 2014). Her first children’s picture book, Work and More Work, was published by Groundwood in 2015. Her previous work includes two award-winning novels: Scotch River (Penguin 2006) and Strong Hollow (Goose Lane 2001). She has published short stories in many reviews and anthologies, including The Antigonish Review, Descant, Matrix, The Journey Prize Anthology, and The Penguin Book of Short Stories by Canadian Women. She teaches seasonally at the Dalhousie University Agricultural Campus.

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Bretton Loney

Bretton Loney is a novelist and non-fiction writer who has published three novels and one biography. His 2015 biography, Rebel With A Cause: The Doc Nikaido Story, and his first novel, The Last Hockey Player, a dystopian story published in 2018, were nominated for Whistler Independent Book Awards.

In 2022 he published the novel Joe Howe’s Ghost, a paranormal political thriller.

In 2025 Bretton independently published his third novel, Unsettling Time, a murder mystery set in 1749 amid the first days of the new colony of Halifax.

Bretton is a native of Bow Island, Alberta and has undergraduate degrees from the University of Lethbridge and the University of King’s College in Halifax. He lives in Halifax with his wife, Karen Shewbridge.

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Frank Macdonald

Frank Macdonald is a writer living with his partner, artist Virginia McCoy, in his hometown of Inverness, Cape Breton, returning there after fulfilling his mandatory tour of duty in plants, factories, construction work and fast food cooking in other parts of North America. He earns his living as a columnist and reporter with The Inverness Oran, a weekly newspaper, and has won journalism awards for both his humourous/satirical weekly columns and his editorial writing.

When not escaping into the works of other writers, Frank tackles his literary interests, most notably the novel. His first novel, A Forest for Calum (Cape Breton University Press) was published in 2005, and was nominated for the Dartmouth Book Award, and was long-listed for IMPAC-Dublin Award. His second novel, A Possible Madness (Cape Breton University Press-2012) was nominated for Dartmouth Book Award and was also long-listed for the IMPAC-Dublin Award.

In 2010 Cape Breton University Press published a children’s novella, T.R.’s Adventure at Angus the Wheeler’s, illustrated by artist Virginia McCoy.

In 2011, his one-act play, Her Wake won Best Canadian Production at the Liverpool International Theatre Festival.

In 2014, his third novel, Tinker & Blue was published (Cape Breton University Press).

He has also published two collections of newspaper/magazine columns, Assuming I’m Right (Cecibu 1990) and How To Cook Your Cat (Cecibu-2003). In 1992-4 Mulgrave Road Theatre produced and toured a one-man play written by Macdonald depicting a day in the life of a newspaper columnist, based on the first collection of columns and also titled Assuming I’m Right.

Macdonald has also had poems published in a number of journals, as well a short stories, and song lyrics have been arranged and recorded by musicians. Frank has given public reading on numerous occasions for numerous occasions ranging from the CBC to the school classroom.

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Josh MacDonald (he/him)

JOSH MacDONALD (he/him) is the writer of a theatrical adaptation for Robert Cormier’s classic novel I Am The Cheese. This adaptation is the winner of a Playwrights Guild of Canada Tom Hendy Prize, as well as a Theatre Nova Scotia Merritt Award for Outstanding Adaptation. Josh is also the writer of the stage plays Halo, Whereverville and The Mystery Play, which have been produced here at home and around North America, are published by Talonbooks, and are curriculum titles in high schools and universities. Josh is the winner of an AMD/Dell “Next Wave” Award for Best Screenplay from Fantastic Fest in Austin, TX, for his horror movie The Corridor (IFC Films). He is also the writer of the feature comedy Faith, Fraud & Minimum Wage (eOne Films). Josh writes for series television, is an actor for stage and screen, and has taught playwriting and screenwriting courses for Dalhousie University and the Nova Scotia College of Art & Design (NSCAD).

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William Kowalski

William Kowalski is the author of six works of literary fiction and six Rapid Reads for Reluctant Readers.  His work has been translated into over a dozen languages and has appeared on numerous international and regional best-seller lists, including the #5 spot on the Times of London (Eddie’s Bastard).  He is the 2001 winner of Exclusive Books’ Ama-Boeke Award (South Africa), was thrice nominated for the Ontario Library Association’s Golden Oak Award, and won the 2014 Thomas H. Raddall Atlantic Fiction Award.

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Bob Kroll

Bob Kroll has been writing professionally for more than thirty-five years. His work includes books, stage plays, radio dramas, TV documentaries, as well as historical docu-dramas for Canadian and American museums. He lives in Halifax, Nova Scotia.

Born New Haven, CT. Graduated Providence College and St. Thomas University.

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Jennifer Hatt

Jennifer Hatt is a former newspaper reporter and editor who brings words to life for periodicals, corporate clients, fiction lovers and students of all ages. She has written articles for a variety of national and regional trade magazines and since 2010 has completed three novels in her Finding Maria series. She is also a participant in the Writers in the School program, instructing grades 3-9 on the elements and rewards of creating their own newsletters, and has developed and taught communications and writing skills programs for the Nova Scotia Community College and the Nova Scotia School of Fisheries.

Jennifer’s debut novel, Finding Maria, was a semifinalist in the Kindle Book Review Best Indie Book of 2012.  She has won the Thompson Newspapers Award of Excellence for Canadian Newspapers, circulation under 15,000, non-deadline writing, for “The Silent Thief”, depicting the struggle of two men to cope with the slow loss of their wives to Alzheimer Disease. She is also the Thompson Newspapers Award of Excellence winner for East Coast Newspapers, circulation under 12,000, for “Double Vision”, an exploration of the battle over herbicide use in Nova Scotia forests. Jennifer was part of the news team that in 1992 received the Thomson North American award for coverage of the Westray Mine disaster.

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Martine Jacquot

Martine Jacquot is a prolific writer who writes in French but can make presentations in either French or English. She has published over 30 books so far (novels, poetry, short-stories, essays and novels for young readers).

She has been invited to many literary events across Canada and abroad, namely to Lafayette’s book festival during the 2nd World Acadian Congress in 1999, to Tunisia to attend a panel of women writers in 2000, the International Poetry Festival in Trois-Rivières, the Northrop Frye International Literary Festival and to the Paris Book Fair in 2004 and 2006.

She did several reading tours: Tunisia in 2000, Russia and Cameroon in 2008, Morocco in 2010, Roumania in 2011, India in 2012.

She holds several degrees: BA from La Sorbonne, Paris, 3 MA degrees from La Sorbonne, Acadia and Dalhousie, a BJ from the University of Kings College and a PHD from Dalhousie University. She has studied and lived in France, England, Switzerland and Canada.

Past Vice President of the Association des Écrivains Acadiens, past president of the Conseil Culturel Acadien de la Nouvelle-Écosse, she has been on many editorial committees, member of several juries, has received creation grants and travel grants both from the Canada Council for the arts and the NS Arts Council. Her novel Les oiseaux de nuit finissent aussi par s’endormir was short listed for the Antonine-Maillet-Acadie Vie award. She was thrice finalist for the Éloizes awards, once as a writer, and twice as a cultural journalist. She was shortlisted for the France-Acadie Award three times for Au Gré du Vent (2006), Le jardin d’herbes aromatiques (2006) and Le silence de la neige (2008). She won the Award Prix Européen de l’ADELF with a special mention 2007 for Au gré du vent. She has also been chosen on 2 occasions to advise beginning authors, once by the Talent Trust of NS, once by the Association des auteurs de l’Ontario. Some of her poems and short stories have been broadcast on SRC. One of her stories was staged in Ottawa at the Théâtre Trillium. She was a member of the Board of Governors of the NS Museum for 12 years and an author in residence with the ArtsInfusion program and Fecane program

Her articles and interviews have appeared in LittéRéalité, Ancrage, Arcade, Alpha Arts magazine, Eloizes, Femmes d’Action, The Fiddlehead, Liason, Studies in Canadian Literature, Vent’d’est, Waves, Ashtarowt and Al Quds, among others. Her poems and short stories have appeared in Concerto pour huit voix, La Diversité: 15 nouvelles francophones á travers le monde, Ecphore Anthology 1987, Eloizes, Les Elytres du Hanneton, Herspectives, Liaison, Lieux d’être, Littéréalité, Les Maritimes, Mensuel, 25 Offerta Speziale, Poetry Halifax-Dartmouth, The Pottersfield Portfolio, Reflets Maritimes 2, Voices and Echoes: Stories and Poems of Women’s Spirituality, Walk through Paradise, La Poésie acadienne and Pour l’Amour de toi, among others. Some of her work is being translated into English, Russian, Portugese, Italian, Basque and Arabic.

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Experience Levels

The Writers’ Federation of Nova Scotia (WFNS) uses the following terms to describe writers’ experience levels:

  • New writers: those with less than two years’ creative writing experience and/or no short-form publications (e.g., short stories, personal essays, or poems in literary magazines, journals, anthologies, or chapbooks).
  • Emerging writers: those with more than two years’ creative writing experience and/or numerous short-form publications.
  • Early-career authors: those with 1 or 2 book-length publications or the equivalent in book-length and short-form publications.
  • Established authors: those with 3 or 4 book-length publications.
  • Professional authors: those with 5 or more book-length publications.

Please keep in mind that each form of creative writing (fiction, nonfiction, poetry, writing for children, writing for young adults, and others) provides you with a unique set of experiences and skills, so you might consider yourself an ‘established author’ in one form but a ‘new writer’ in another.

Occasionally, WFNS uses the phrase “emerging and established writers/authors” to mean ‘writers and authors of all experience levels.’

The “Recommended experience level” section of each workshop description refers to the above definitions. A workshop’s participants should usually have similar levels of creative writing and / or publication experience. This ensures that each participant gets value from the workshop⁠ and is presented with info, strategies, and skills that suit their experience. 

For “intensive” and “masterclass” workshops, which provide more opportunities for peer-to-peer feedback, the recommended experience level should be followed closely.

For all other workshops, the recommended experience level is just that—a recommendation—and we encourage potential participants to follow their own judgment when registering.

If uncertain about your experience level with respect to any particular workshop, please feel free to contact us at communications@writers.ns.ca