Coffee Chats advisor

Sandra Phinney

Sandra Phinney is a professional writer and photographer who lives on the edge of the Tusket River in Southwest Nova Scotia. She’s had a few former lives including teaching, social work and farming. Now, instead of driving a tractor and growing vegetables, Sandra wields a camera and harvests stories.

Her articles have appeared in over 70 publications and many online line magazines. She’s also contributed to several travel guides including National Geographic’s Guide to Parks Canada. Over the years, her work has garnered several writing and photography awards (which help to keep her humble.) Part of her portfolio spills into the corporate world where she does everything from writing scripts for video, to advertorials, brochures, newsletters, and company profiles.

In the book writing realm, Sandra’s penned four non-fiction books: Risk Takers and Innovators—Great Canadian Business Ventures since 1950; Pierre Elliott Trudeau: The Prankster Who Never Flinched; Maud Lewis and the “Maudified” House Project; and Waking Up In My Own Backyard~Explorations in Southwest Nova Scotia. She’s currently working on two more non-fiction books.

To satisfy her craving to teach, Sandra gives writing workshops on various topics including narrative, writing memoir, how to start a freelance business and travel writing. In her spare time she does Tai Chi and paddles in the wilderness.

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Sherry D. Ramsey

Sherry D. Ramsey writes science fiction and fantasy for both adults and young adults, and is one of the founding editors of Cape Breton’s Third Person Press. She has published over thirty short stories nationally and internationally, and her award-winning debut novel, One’s Aspect to the Sun, launched in 2013 from Edmonton’s Tyche Books. The sequels, Dark Beneath the Moon and Beyond the Sentinel Stars (Tyche Books) followed in 2015 and 2017, and the fourth book in the Nearspace series, A Veiled and Distant Sky, released in March of 2022. She has also published the YA fantasy The Seventh Crow (Dreaming Robot Press, 2015), and the middle grade science fiction adventure, Planet Fleep (2018). Some of her short stories are collected in To Unimagined Shores (2011) and The Cache and Other Stories (2017). A collection of stories for young readers, Beacon and Other Stories, came out in 2019. She’s currently adding more titles to her urban fantasy Olympia Investigations series and working on a comic fantasy novel, as well as teaching English courses as a sessional instructor at Cape Breton University.

Sherry has co-edited six anthologies of regional short fiction with Third Person Press and conducted numerous writing workshops in person and online. A member of the Writer’s Federation of Nova Scotia Writer’s Council, Sherry is also a past Vice-President, Secretary-Treasurer, and Web Administrator of SF Canada. She is an active participant with Writers In The Schools and loves talking to students about writing and creativity. You can visit Sherry online, read her blog, follow her on Twitter and Instagram @sdramsey, and find some free fiction and sample chapters on her website.

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Philip Moscovitch

Philip Moscovitch is an award-winning freelance journalist, editor, and audio producer. He began his career as an alt-weekly books columnist in Montreal, then worked at the National Film Board of Canada before moving to Nova Scotia to write full-time.

A versatile freelancer, Philip writes non-fiction, fiction and poetry, works as an editor and French-English translator, and produces and hosts a French-language podcast. For 14 years, he was also the writer of the “Daisy Dreamer” children’s comic, appearing in Chickadee magazine.

Philip has a B.A. in creative writing and an M.A. in the history and philosophy of religion from Concordia University, and an M.F.A. in creative non-fiction from the University of King’s College.

He is a believer in writer solidarity, mutual support, and sharing expertise for the benefit of all.

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donalee Moulton

donalee Moulton has been writing professionally for over 25 years. Her byline has appeared in more than 100 magazines and newspapers throughout North America – and beyond. Among the publications donalee has written for are The Globe and Mail, Chatelaine, Maclean’s, Canadian Business and The National Post.

donalee Moulton’s first mystery book Hung out to Die was published in 2023. A historical mystery, Conflagration!, was published in 2024. It won the 2024 Daphne du Maurier Award for Excellence in Mystery/Suspense (Historical Fiction). donalee has two new books in 2025, Bind and Melt, the first in a new series, the Lotus Detective Agency.

A short story “Swan Song” was one of 21 selected for publication in Cold Canadian Crime. It was shortlisted for an Award of Excellence. Other short stories have been published in numerous anthologies and magazines. donalee’s short story “Troubled Water” was shortlisted for a 2024 Derringer Award and a 2024 Award of Excellence from the Crime Writers of Canada.

As well, donalee is the author of the non-fiction book The Thong Principle: Saying What You Mean and Meaning What You Say, and co-author of Better Policy | Better Performance: The Who, Why, and What of Organizational Policy and Celebrity Court Cases: Trials of the Rich and Famous.

donalee has had poetry published in Arc Poetry Journal, Queen’s Quarterly, Prairie Fire, The Dalhousie Review, Atlantis,  South Shore Review, Carousel, and Whetstone, among others. She is a former editor of The Pottersfield Portfolio and Atlantic Books Today.

donalee is a teacher. She has taught writing, editing, grammar and communications for the past 20 years in a variety of programs. She currently teaches numerous writing and editing courses as part of the Executive and Professional Development program at Saint Mary’s University, and has taught courses at Dalhousie University and Mount Saint Vincent University.

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Carole Glasser Langille

Carole Glasser Langille is the author of 5 books of poetry, 2 collections of short stories, 2 children’s books and a non-fiction book “Doing Time: Writing Workshops in Prison.”

Her second book of poetry, In Cannon Cave, was nominated for a Governor General’s Award in 1997, and the Atlantic Poetry Prize in 1998.                       “I Am What I Am Because You Are What You Are,” her second collection of short stories, was nominated for the Alistair MacLeod Award  for Short Fiction.  Her children’s book, Where the Wind Sleeps, was the Canadian Children’s Book Center Choice in 1996.

Several selections from Carole Glasser Langille’s book of poetry, Late In A Slow Time, have been adapted to music by renowned Canadian composer Chan Ka Nin. The production, also called Late In A Slow Time debuted at the 2006 Sound Symposium in St. John’s, Newfoundland and will be on Duo Concertante’s forthcoming CD.

Originally from New York City, where she studied with the poets John Ashbery and Carolyn Forche among others, Carole now lives in Black Point, Nova Scotia.

She has taught at The Humber School for Writing Summer Program, Maritime Writer’s Workshop, the Community of Writers in Tatamagouche, and at Women’s Words the University of Alberta. She has taught Creative Writing at Mount Saint Vincent University, Writing for the Arts at the Nova Scotia College of Art and Design, and currently teaches Creative Writing: Poetry at Dalhousie University.

Carole has given poetry readings in Athens, Delhi, Prague, London England, New York City, Kirkcudbright Scotland, and throughout Canada. She has received Canada Council Grants for poetry, non-fiction and fiction as well as Nova Scotia Cultural Arts grants for poetry and fiction.

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Lezlie Lowe

Lezlie Lowe is a freelance writer, broadcaster and researcher.

The native Haligonian has worked as a writer and editor for Halifax weekly paper The Coast since 1995. She’s a weekly columnist for the Chronicle Herald, long-form documentary-maker for CBC radio and active freelancer.

Lezlie teaches feature writing and creative nonfiction at the University of King’s College and coordinates the first-year Foundations of Journalism class.

She has worked as principal researcher on documentary films for Life Network, the Independent Film Channel and Bravo and was the recipient of a 2004 Radio-Television News Directors Association of Canada honourable mention for Commentary and two Gold Awards for Feature Writing at the Atlantic Journalism Awards.

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Josh MacDonald (he/him)

JOSH MacDONALD (he/him) is the writer of a theatrical adaptation for Robert Cormier’s classic novel I Am The Cheese. This adaptation is the winner of a Playwrights Guild of Canada Tom Hendy Prize, as well as a Theatre Nova Scotia Merritt Award for Outstanding Adaptation. Josh is also the writer of the stage plays Halo, Whereverville and The Mystery Play, which have been produced here at home and around North America, are published by Talonbooks, and are curriculum titles in high schools and universities. Josh is the winner of an AMD/Dell “Next Wave” Award for Best Screenplay from Fantastic Fest in Austin, TX, for his horror movie The Corridor (IFC Films). He is also the writer of the feature comedy Faith, Fraud & Minimum Wage (eOne Films). Josh writes for series television, is an actor for stage and screen, and has taught playwriting and screenwriting courses for Dalhousie University and the Nova Scotia College of Art & Design (NSCAD).

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Jennifer Hatt

Jennifer Hatt is a former newspaper reporter and editor who brings words to life for periodicals, corporate clients, fiction lovers and students of all ages. She has written articles for a variety of national and regional trade magazines and since 2010 has completed three novels in her Finding Maria series. She is also a participant in the Writers in the School program, instructing grades 3-9 on the elements and rewards of creating their own newsletters, and has developed and taught communications and writing skills programs for the Nova Scotia Community College and the Nova Scotia School of Fisheries.

Jennifer’s debut novel, Finding Maria, was a semifinalist in the Kindle Book Review Best Indie Book of 2012.  She has won the Thompson Newspapers Award of Excellence for Canadian Newspapers, circulation under 15,000, non-deadline writing, for “The Silent Thief”, depicting the struggle of two men to cope with the slow loss of their wives to Alzheimer Disease. She is also the Thompson Newspapers Award of Excellence winner for East Coast Newspapers, circulation under 12,000, for “Double Vision”, an exploration of the battle over herbicide use in Nova Scotia forests. Jennifer was part of the news team that in 1992 received the Thomson North American award for coverage of the Westray Mine disaster.

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Martine Jacquot

Martine Jacquot is a prolific writer who writes in French but can make presentations in either French or English. She has published over 30 books so far (novels, poetry, short-stories, essays and novels for young readers).

She has been invited to many literary events across Canada and abroad, namely to Lafayette’s book festival during the 2nd World Acadian Congress in 1999, to Tunisia to attend a panel of women writers in 2000, the International Poetry Festival in Trois-Rivières, the Northrop Frye International Literary Festival and to the Paris Book Fair in 2004 and 2006.

She did several reading tours: Tunisia in 2000, Russia and Cameroon in 2008, Morocco in 2010, Roumania in 2011, India in 2012.

She holds several degrees: BA from La Sorbonne, Paris, 3 MA degrees from La Sorbonne, Acadia and Dalhousie, a BJ from the University of Kings College and a PHD from Dalhousie University. She has studied and lived in France, England, Switzerland and Canada.

Past Vice President of the Association des Écrivains Acadiens, past president of the Conseil Culturel Acadien de la Nouvelle-Écosse, she has been on many editorial committees, member of several juries, has received creation grants and travel grants both from the Canada Council for the arts and the NS Arts Council. Her novel Les oiseaux de nuit finissent aussi par s’endormir was short listed for the Antonine-Maillet-Acadie Vie award. She was thrice finalist for the Éloizes awards, once as a writer, and twice as a cultural journalist. She was shortlisted for the France-Acadie Award three times for Au Gré du Vent (2006), Le jardin d’herbes aromatiques (2006) and Le silence de la neige (2008). She won the Award Prix Européen de l’ADELF with a special mention 2007 for Au gré du vent. She has also been chosen on 2 occasions to advise beginning authors, once by the Talent Trust of NS, once by the Association des auteurs de l’Ontario. Some of her poems and short stories have been broadcast on SRC. One of her stories was staged in Ottawa at the Théâtre Trillium. She was a member of the Board of Governors of the NS Museum for 12 years and an author in residence with the ArtsInfusion program and Fecane program

Her articles and interviews have appeared in LittéRéalité, Ancrage, Arcade, Alpha Arts magazine, Eloizes, Femmes d’Action, The Fiddlehead, Liason, Studies in Canadian Literature, Vent’d’est, Waves, Ashtarowt and Al Quds, among others. Her poems and short stories have appeared in Concerto pour huit voix, La Diversité: 15 nouvelles francophones á travers le monde, Ecphore Anthology 1987, Eloizes, Les Elytres du Hanneton, Herspectives, Liaison, Lieux d’être, Littéréalité, Les Maritimes, Mensuel, 25 Offerta Speziale, Poetry Halifax-Dartmouth, The Pottersfield Portfolio, Reflets Maritimes 2, Voices and Echoes: Stories and Poems of Women’s Spirituality, Walk through Paradise, La Poésie acadienne and Pour l’Amour de toi, among others. Some of her work is being translated into English, Russian, Portugese, Italian, Basque and Arabic.

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A.J.B. (John or Jay) Johnston

A.J.B. (John) Johnston is the author or co-author of books and museum exhibits, as well as articles in scholarly journals, magazines and newspapers. He was made a chevalier of France’s Ordre des Palmes Académiques in recognition of his body of work on Louisbourg and other French colonial topics. The best known of his history books is Endgame 1758, which won a Clio award from the Canadian Historical Assocation and was short-listed for the Dartmouth Book Award.

His two latest books, his 20th and 21st, will appear in 2020. First up will be Kings of Friday Night: The Lincolns (Nimbus). Then it will be Ancient World, New World: Skmaqn—Port-la-Joye—Fort Amherst (Acorn), co-authored with Jesse Francis.

In 2018, John released The Hat, a YA novel that offers a 21st-century take on the Acadian Deportation, and Something True, which was inspired by the real-life adventures of Katharine McLennan in late 19th and early 20th-century Cape Breton and in France during the First World War.

In 2017, he was Writer-in-Residence at the Center for the Writing Arts in Fairhope, Alabama. Back in 2016, John participated as a mentor to emerging writer Linda MacLean in the Alistair MacLeod Mentorship Program. From mid-April to mid-May 2017 he combined with Sal Sawler and Norma Jean MacPhee to offer sessions for the WFNS entitled “So You Want to be Published” in Halifax, Antigonish, Wolfville, Sydney and Yarmouth.

John has written three novels in the Thomas Pichon series: Thomas, A Secret Life in 2012; The Maze in 2114 and Crossings in 2015.

Back in 2013, Ni’n na L’nu: The Mi’kmaq of Prince Edward Island (Acorn), won three awards: “best-published Atlantic Book”, best PEI Non-Fiction, and a PEI Heritage Award. The French version of the book, Ni’n na L’nu: Les Mi’kmaq de l’Ile-de-Prince-Édouard, is now available from La Grand Marée (Tracadie Sheila, NB).

Released in 2015 was Grand Pré, Landscape for the World (Nimbus), co-written with Ronnie-Gilles LeBlanc.

Most of his books are available as e-books.

John writes exhibits as well, including the “Vanguard: 150 Years of Remarkable Nova Scotians” for the Nova Scotia Museum and the ground floor of the Black Cultural Centre. The award-winning travelling exhibition Ni’n na L’nu: The Mi’kmaq of Prince Edward Island opened at the Confederation Centre in Charlottetown and then travelled to the Museum of Canadian History in Gatienau, Quebec and other subsequent venues. More recently, John developed the storyline and texts for the revitalization of the Colchester Historeum in Truro. That exhibit opened officially in early 2016.

More information on John can be found at ajbjohnston.com and on Facebook at A J B Johnston, Writer. John is on Twitter at @ajbjohnston and on Instagram at AJBJohnston.

John donates his papers to the Beaton Institute of the Cape Breton University.

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Experience Levels

The Writers’ Federation of Nova Scotia (WFNS) uses the following terms to describe writers’ experience levels:

  • New writers: those with less than two years’ creative writing experience and/or no short-form publications (e.g., short stories, personal essays, or poems in literary magazines, journals, anthologies, or chapbooks).
  • Emerging writers: those with more than two years’ creative writing experience and/or numerous short-form publications.
  • Early-career authors: those with 1 or 2 book-length publications or the equivalent in book-length and short-form publications.
  • Established authors: those with 3 or 4 book-length publications.
  • Professional authors: those with 5 or more book-length publications.

Please keep in mind that each form of creative writing (fiction, nonfiction, poetry, writing for children, writing for young adults, and others) provides you with a unique set of experiences and skills, so you might consider yourself an ‘established author’ in one form but a ‘new writer’ in another.

Occasionally, WFNS uses the phrase “emerging and established writers/authors” to mean ‘writers and authors of all experience levels.’

The “Recommended experience level” section of each workshop description refers to the above definitions. A workshop’s participants should usually have similar levels of creative writing and / or publication experience. This ensures that each participant gets value from the workshop⁠ and is presented with info, strategies, and skills that suit their experience. 

For “intensive” and “masterclass” workshops, which provide more opportunities for peer-to-peer feedback, the recommended experience level should be followed closely.

For all other workshops, the recommended experience level is just that—a recommendation—and we encourage potential participants to follow their own judgment when registering.

If uncertain about your experience level with respect to any particular workshop, please feel free to contact us at communications@writers.ns.ca