Genevieve Graham

BIOGRAPHY
Genevieve Graham moved to Nova Scotia in 2008 and fell in love with the integral history woven into every aspect of this province. Almost immediately, she realized how little she knew about the history, not only of this province but of all of Canada, and she embarked on a mission to correct that, using her love of historical fiction as a palette. All her novels have spent numerous weeks on the Canadian bestsellers list. Most recently, Genevieve focused her research and passion on the dark, little known story of Canada’s British Home Children in “The Forgotten Home Child”. Despite bookstore shutdowns across the country due to COVID-19, “The Forgotten Home Child” became an “instant #1 bestseller” and remained on that list for 19 weeks – 11 of those at #1. It achieved the #5 position in Canadian Fiction for 2020 and educated tens of thousands of readers about this vital part of our history.

Genevieve Graham is prolific and determined, dedicated to bringing Canadian history to life through the popular, mainstream market of commercial historical fiction. Having started writing relatively late in life (in her forties), she has already published five novels with Simon & Schuster Canada in five years, and is eager to keep on that same track for years to come.

PUBLICATIONS

Simon & Schuster Canada

Bluebird (2022)

Letters Across the Sea (2021)

The Forgotten Home Child (2020)

At the Mountain’s Edge (2019)

Come From Away (2018)

Promises to Keep (2017)

Tides of Honour (2015)

 

Berkley/Penguin NY

Somewhere to Dream (2013)

Sound of the Heart (2012)

Under the Same Sky (2012)


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Experience Levels

The Writers’ Federation of Nova Scotia (WFNS) uses the following terms to describe writers’ experience levels:

  • New writers: those with less than two years’ creative writing experience and/or no short-form publications (e.g., short stories, personal essays, or poems in literary magazines, journals, anthologies, or chapbooks).
  • Emerging writers: those with more than two years’ creative writing experience and/or numerous short-form publications.
  • Early-career authors: those with 1 or 2 book-length publications or the equivalent in book-length and short-form publications.
  • Established authors: those with 3 or 4 book-length publications.
  • Professional authors: those with 5 or more book-length publications.

Please keep in mind that each form of creative writing (fiction, nonfiction, poetry, writing for children, writing for young adults, and others) provides you with a unique set of experiences and skills, so you might consider yourself an ‘established author’ in one form but a ‘new writer’ in another.

Occasionally, WFNS uses the phrase “emerging and established writers/authors” to mean ‘writers and authors of all experience levels.’

The “Recommended experience level” section of each workshop description refers to the above definitions. A workshop’s participants should usually have similar levels of creative writing and / or publication experience. This ensures that each participant gets value from the workshop⁠ and is presented with info, strategies, and skills that suit their experience. 

For “intensive” and “masterclass” workshops, which provide more opportunities for peer-to-peer feedback, the recommended experience level should be followed closely.

For all other workshops, the recommended experience level is just that—a recommendation—and we encourage potential participants to follow their own judgment when registering.

If uncertain about your experience level with respect to any particular workshop, please feel free to contact us at communications@writers.ns.ca