Carol Sinclair

Carol is writing a book entitled, The Darling Cannibals.  She’s also an editor with Editors’ Association of Canada. Her forte is dialogue and character dynamic. She has been an actor and playwright in eight provinces for 35 years.

Recent projects are: The Last Bean Supper, about the loss of women volunteers with the closing of our churches, Far Flung, about immigrants setting up in rural Canada, and Vis Viva, about the women in early science. She was invited as Atlantic rep of the Canadian delegation to an international gathering of female playwrights in Mumbai, India, for her hard-hitting drama, Come Unto Me, about a social worker who turns vigilante when a kiddie porn pervert is publically named and then sent home to await trial.

Carol has combined writing and performance for TV as an issue satirist on Rita Deverell’s Skylight Series for Vision TV. Three early years at Second City forged her conviction that humour propels message.  Screenplays of  her all-female cast comedy Idyll Gossip and the highly romantic comedy, The Summer of the Handley-Page have been funded by Ontario Film Development and Telefilm.  The latter script was also produced for national radio by CBC, as was her one-woman tour de force, Brownie from Hell. She has been, for fourteen years, director of Sinc Ink. She is currently fund-raising to produce her adaptation of ScotiaGiller prize-winner Linden MacInyre’s novel, Causeway.

Ship’s Company Theatre premiered her play, Ferry Tales, her play, Share, and her large-cast comedy, The Summer of the Handley-Page.  Another huge-cast piece, Firefly, was staged at Dal Theatre as well as the Blyth Festival.

She has been writer in residence at St. FX, and with Dalhousie’s Medical Humanities, where she wrote Défense de Fumer, which toured Nova Scotia, Ottawa, Vancouver, Charlottetown, Saint John, and Arviat, Rankin Inlet and Iqaluit, Nunavut.

A multiple recipient of awards from Canada Council’s Writing and Theatre Sections, and the Provincial Councils of Ontario and NS, and the Municipality of the District of Guysborough, her other professionally produced plays include Young Hate (GG nominated) Brownie From Hell  (Crow’s Theatre, Toronto), Firefly (Blyth Festival, Blyth, ON) Idyll Gossip, Presents and Old Boots (Mulgrave Road Theatre, NS), Hansel & Gretel & Handsome & Grateful  (Festival Antigonish).

Professional productions have been as far-reaching as Toscana, Italy; Galway, Ireland; Perth, Australia; Cape Town, South Africa; London, England; Belgrade in the former Yugoslavia; and in Cincinnati, US, as well as in every province in Canada and Nunavut. Carol is a member of WIF-T Atlantic, the Editors’ Association of Canada, Canadian Actors’ Equity Association and ACTRA.

Scroll to Top

Recommended Experience Levels

The Writers’ Federation of Nova Scotia (WFNS) recommends that each workshop’s participants share a level or range of writing / publication experience. This is to ensure that each participant gets value from the workshop⁠ and is presented with information, strategies, and skills that suit their current writing priorities.

To this end, the “Recommended experience level” section of each workshop description refers to the following definitions developed by WFNS:

  • New writers: those with no professional publications (yet!) or a few short professional publications (i.e., poems, stories, or essays in literary magazines, journals, anthologies, or chapbooks).
  • Emerging writers: those with numerous professional publications and/or one book-length publication.
  • Established writers/authors: those with two book-length publications or the equivalent in book-length and short publications.
  • Professional authors: those with more than two book-length publications.

For “intensive” and “masterclass” creative writing workshops, which provide more opportunities for participant-to-participant feedback, the recommended experience level should be followed.

For all other workshops, the recommended experience level is just that—a recommendation—and we encourage potential participants to follow their own judgment when registering.

If you’re uncertain of your experience level with regard to any particular workshop, please feel free to contact us at