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Nonfiction (adult)

Kathy Mac

Kathy Mac (she/her) has published three books of poetry (Roseway Publishing), two books on the craft of writing (Wording Around Press), and, as Dr. Kathleen McConnell, a book of essays (Wolsak and Wynn Publishers). Her work has been a finalist for several Canadian national and regional awards, and even won some of them.

After 22 years teaching creative writing at St Thomas University in Fredericton New Brunswick, Mac is delighted to be back in Nova Scotia. She lives in Nme’kaqnuk (Sambro Head) near Halifax in the unceded traditional territory of the Mi’kmaq, Maliseet and Passamaquoddy peoples.

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Melissa Kuipers

Melissa Kuipers (she/her) is a writer of fiction and creative non-fiction. Her book, The Whole Beautiful World, was published in 2017 with Brindle & Glass. Her fiction has been published in literary journals such as Joyland, Ryga, Ex-Puritan, and The Rusty Toque. She has personal essays in publications like The New Quarterly, Room, Plough, and The Ottawa Arts Review. She has taught creative writing extensively, both in high school and universities, has mentored emerging writers and has led multiple writing workshops. She received her Masters in the Field of Creative Writing from University of Toronto.

Raised on a chicken farm in Southern Ontario/Anishinabewaki, Melissa now resides in eastern Nova Scotia/Epekwitk aq Piktuk with her husband and two children.

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Norma Shephard

‘Why We Remember‘

The personal and domestic side of war is often revealed in War letters. My presentations on the importance of firsthand accounts and the digitalization of hand-written accounts is ideal for Remembrance Day observations and/or Canadian History studies. Access to my full media kit on the book Dear Harry; A Canadian War Story Told Through Letters, can be found here.

‘Social History Relevance Revealed Through Material Artifacts’ 

As the director of the Mobile Millinery Museum, I have been educating students, seniors, and others on Canadian Social History through the use of those most personal of historic artefacts: clothing and accessories. Examples of the available presentation topics, which we adapt for student audiences, can be seen in the Museum Presentations Information Kit.

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Gina N. Brown

Gina N. Brown has written three novels: Pickled in Love (2025), The Sugar Bowl Feud (2024) and Lucy McGee’s Moment of Truth (2021). She also edited and published a memoir for her late husband, Robert Crockett.

A graduate of the Mount St. Vincent University public relations program, she pursued a career in music, film, advertising, museums, education and special events. Her freelance writing includes travel and lifestyle articles in Canadian Living Magazine, the Globe and Mail, the Chronicle Herald and Saltwire. Examples of her published pieces can be found at novaheartmedia.com.

Gina has attended writing workshops and retreats at the Arvon Foundation in England; Taddle Creek at the University of Toronto; and Master Classes at the Canadian Film Centre in Toronto. She also co-founded writer groups in Toronto, and in Halifax, now in its 12th year. As a creative writer, she’s placed as a finalist or notable entry in five international writing competitions.

In 2019, after a lengthy career as a marketing specialist, she launched an independent publishing platform, NovaHeart Media. In addition to her writing, she offers writing workshops for new and established writers and provides consulting services for independent writers. As a way of giving back and engaging with the community, she has mentored more than a dozen youth and emerging writers.

Gina has traveled to 35 countries and has lived in Montreal, Ottawa, Toronto and Birmingham, England. In 2004, she returned to her home port of Halifax, Nova Scotia, where she loves to swim, skate, canoe, hike, cycle, and do yoga.

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Claire Horn

Claire Horn is a Dartmouth-based writer and researcher. She has a PhD in law and has researched and taught in the area of law and policy governing sexual and reproductive health, rights, and technologies for six years. Her nonfiction work has appeared in Aeon, Narratively, Entropy, the Walrus, the Los Angeles Review of Books, Nursing Clio, and the Penguin young adult anthology Feminists Don’t Wear Pink and Other Lies. Her first book, Eve: The Disobedient Future of Birth, was longlisted for the Science Writers and Communicators of Canada Book Award.

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Clare Goulet

Writer of essays, poems, stories and hybrid forms; editor/consultant for academic and literary manuscripts in arts and sciences. My latest book is Graphis scripta: writing lichen (Gaspereau Press 2024). Research passions are metaphor, biopoetics, polyphony, & hybrid scholarly-creative-botanical forms.

I teach undergrad courses in creative writing and editing at the Mount, where I run its Writing Centre and collaborate with diverse partners on and off campus. First adjunct faculty to win its university-wide faculty teaching award. As an educator I aim for transformative, inclusive learning experiences.

As a British/québécoise hybrid, raised in a mixed-race family, schooled in different countries, please don’t ask me where I’m from! I survive my writing deadlines with wildly bad dancing. Total lichen obsessive.

In my writing workshops for adults and youth, I love renewing a person’s relationship to their own writing practice.

I live in Kjipuktuk/Halifax, Nova Scotia, on a road that escapes into trail and woods and ocean along the Northwest Arm.

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Lindsey Harrington

Lindsey Harrington is a Nova Scotian writer with Newfoundland roots. Her fiction, creative nonfiction, and poetry are deeply influenced by both places and her place within them. She’s a regular organizer and host of the dART Speak monthly writers’ open mic and other fun, local literary events. She’s also a professional facilitator, covering topics such as therapeutic writing, developing your personal writing strategy, performing your pieces, authors online, and ekphrasis, prompt, and response poetry.

In 2023, she was longlisted for the CBC Nonfiction Prize, shortlisted for the Fiddlehead Creative Nonfiction Prize, and received a Canada Council grant to work on her childfree memoir. She’s excited to see what 2024 brings.

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Tina Capalbo

As a teacher, writer, mom, and life-long creative, Tina Capalbo has written everything from lesson plans, blogs, stories, and plays, to volunteer manuals, educator packs, and architectural proposals.

Tina completed her Bachelor of Arts and Bachelor of Education degrees at Western and her Master of Arts degree at Dalhousie. She has taught high school English and Drama in London and Halifax, English as an Additional Language in Tokyo, Toronto and Halifax, and thousands of writing classes online.

As a WITS author, Tina loves exploring stories with students and offers two workshops: (1) ‘Ari and the Very Loud Bird!’ is a workshop with early elementary students (grades P-3), featuring Ari, an upbeat, non-binary kiddo, who loves to sleep in. The workshop includes a lively reading, a visit with Ari the puppet, and a book chat. Students create a songbird, invent a bird call, and become a noisy chorus of birds. (2) ‘Main Character Energy’ is a creative nonfiction writing workshop for secondary students (grades 10-12). Students engage in life-writing, exploring elements of journaling, memoir, personal essay, personal monologue, and phase autobiography.

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Jen Colclough

Jen Colclough is a Pushcart-nominated poet, novelist, and digital artist from Nova Scotia. She is the author of the poetry collection Our Little Agonies, published in 2025 by Montreal Publishing Company. She holds a Master of Arts in Classics from Western and a Bachelor of Arts from Acadia University. Her writings have been featured in numerous publications including CRAFT Literary, Tabula Rasa Review, Porch to Porch: A Maritime Haiku Anthology, Heimat Review, ionosphere, MORIA, and Free the Verse. In 2023, her graduate research appeared in the Journal of Ancient History.

In Winter 2024, Jen Colclough held the Shannon Residency at Beinn Mhàbu in Cape Breton, Nova Scotia. She is currently querying an historical fiction novel and developing a serial drama for a major streaming service.

 

Freelance editing services available.

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Experience Levels

The Writers’ Federation of Nova Scotia (WFNS) uses the following terms to describe writers’ experience levels:

  • New writers: those with less than two years’ creative writing experience and/or no short-form publications (e.g., short stories, personal essays, or poems in literary magazines, journals, anthologies, or chapbooks).
  • Emerging writers: those with more than two years’ creative writing experience and/or numerous short-form publications.
  • Early-career authors: those with 1 or 2 book-length publications or the equivalent in book-length and short-form publications.
  • Established authors: those with 3 or 4 book-length publications.
  • Professional authors: those with 5 or more book-length publications.

Please keep in mind that each form of creative writing (fiction, nonfiction, poetry, writing for children and young adults, and others) provides you with a unique set of experiences and skills, so you might consider yourself an ‘established author’ in one form but a ‘new writer’ in another.

The “Recommended experience level” section of each workshop description refers to the above definitions. A workshop’s participants should usually have similar levels of creative writing and / or publication experience. This ensures that each participant gets value from the workshop⁠ and is presented with information, strategies, and skills that suit their career stage. 

For “intensive” and “masterclass” workshops, which provide more opportunities for peer-to-peer feedback, the recommended experience level should be followed closely.

For all other workshops, the recommended experience level is just that—a recommendation—and we encourage potential participants to follow their own judgment when registering.

If you’re uncertain of your experience level with regard to any particular workshop, please feel free to contact us at communications@writers.ns.ca