Philip Moscovitch

BIOGRAPHY
I am a freelance writer, editor, and audio producer with a passion for tellng stories.

My book Adventures in Bubbles and Brine (Formac, 2019) explores Nova Scotia fermentation traditions (everything from craft beer to sauerkraut) and the people reviving and reinventing them. Mollie Katzen, author of The Moosewood Cookbook and The Heart of the Plate, says it is a “beautifully written book – which is at once a travel memoir, a weave of lore, histories, and personal tales, and an inspiring recipe collection.” Author and fermentation revivalist Sandor Katz (The Art of Fermentation) calls it “a beautiful window into the culture of fermentation in Nova Scotia! Philip Moscovitch introduces us to old timers carrying on traditions, and to leaders of the province’s contemporary fermentation revival.”

I have been publishing non-fiction for more than 25 years. My work has appeared in dozens of publications, including The Walrus, Saltscapes, Reader’s Digest, The Globe and Mail, The Gazette (Montreal), Halifax Magazine, East Coast Living, The Halifax Examiner, DAL Magazine, The Coast, Atlantic Books Today, My Halifax Experience, American Craft, Atlantic Co-operator, Canadian Co-operator, Tablet, Best Health, Shambhala Sun, Concordia Magazine, Maroon and White (SMU), Queen’s Alumni Review, York U Magazine, Equinox (remember Equinox?), Farm Credit Canada Express, OpenFile, Optimyz, Canadian Screenwriter, Playback, The Big Frame, Canadian Bar Association National magazine, Les carrières de l’ingénierie, and Les carrières du droit.

I have contributed essays to the non-fiction books Dogs With Jobs, Saltlines, and  Look Ahead, Get Ahead: Growing Career Opportunities for Technicians and Technologists (this one was a lot more fun than it sounds).

For five years, I was the editor of Canadian Screenwriter magazine, and I’ve been a writer and story editor for several documentaries. As an audio producer, my work has aired both regionally and nationally on CBC Radio.

While my focus is mostly non-fiction, I have also published short fiction and poetry, and for 14 years I wrote the beloved Daisy Dreamer comic for Chickadee magazine.

My interests are broad. I’ve written about everything from professional wrestling to mental health, and from food to art. My short feature Small-town Smackdown,written for The Walrus, was a National Magazine Award finalist.

I recently graduated from the University of King’s College MFA in Creative Non-fiction program, and am working on a book about new understandings of serious mental illness, as well as a longer upper-elementary fantasy graphic novel series.

In addition to my work in fiction and non-fiction, I am also available to write for organizations in the corporate, government, and non-profit sectors. My clients have included the National Film Board, the Canadian Labour Congress, and numerous independent film producers.

PUBLICATIONS

Adventures in Bubbles and Brine (Formac, 2019)

Anthologies:

2020 (Ed. Judith Bauer, Black Dog & One-Eyed Press, 2021): poems

Gathering In (Ed. Pat Thomas, WindyWood, 2020): essay

Soundings (Ed. Pat Thomas, WindyWood, 2017): short story

Salt Lines (Ed. Lorri Neilsen Glenn, Backalong Books, 2012): essay

After the Mountain: The A.M. Klein Reboot Project (Ed. Jason Camlot, Synapse Press, 2011): poem

A Maritime Christmas (Ed. Clary Croft, Nimbus, 2008): short story

Sounds New (Ed. Peter van Toorn, The Muses’ Company, 1993): poetry

Other selected publications:

Halifax Examiner, the Walrus, Saltscapes, Reader’s Digest, Halifax Magazine, East Coast Living, American Craft, Atlantic Books Today, The Globe and Mail, Montreal Gazette, The Chronicle Herald.

Selected audio stories

D’innombrables voyages podcast (producer)

Dog-eared and cracked podcast (co-host)

AWARDS

National Magazine Award Finalist (Best Short feature), 2017 for Small-Town Smackdown: Why professional wrestling still has a chokehold on the East Coast, published in The Walrus.


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Experience Levels

The Writers’ Federation of Nova Scotia (WFNS) uses the following terms to describe writers’ experience levels:

  • New writers: those with less than two years’ creative writing experience and/or no short-form publications (e.g., short stories, personal essays, or poems in literary magazines, journals, anthologies, or chapbooks).
  • Emerging writers: those with more than two years’ creative writing experience and/or numerous short-form publications.
  • Early-career authors: those with 1 or 2 book-length publications or the equivalent in book-length and short-form publications.
  • Established authors: those with 3 or 4 book-length publications.
  • Professional authors: those with 5 or more book-length publications.

Please keep in mind that each form of creative writing (fiction, nonfiction, poetry, writing for children and young adults, and others) provides you with a unique set of experiences and skills, so you might consider yourself an ‘established author’ in one form but a ‘new writer’ in another.

The “Recommended experience level” section of each workshop description refers to the above definitions. A workshop’s participants should usually have similar levels of creative writing and / or publication experience. This ensures that each participant gets value from the workshop⁠ and is presented with information, strategies, and skills that suit their career stage. 

For “intensive” and “masterclass” workshops, which provide more opportunities for peer-to-peer feedback, the recommended experience level should be followed closely.

For all other workshops, the recommended experience level is just that—a recommendation—and we encourage potential participants to follow their own judgment when registering.

If you’re uncertain of your experience level with regard to any particular workshop, please feel free to contact us at communications@writers.ns.ca