Remembering Joe Blades

By Joanne Light

Joe Blades (1961-2020) died suddenly of natural causes recently. (His obituary here.)

His epitaph could be “I publish, therefore I am.” He was the Randolph Hearst of the invisible poets (without the money). He just kept growing his obsessive poetry publishing, journal keeping, and visual pieces undaunted by what others might have thought of him or his work.

In the 1980s, Joe was a beacon for “disembodied poets” in Halifax and beyond. He hung around NSCAD and published BSPS: Bourbon Street Poetry Society zine. Later he grew it into a reputable literary journal, which published both local and international poets, and named it Poetry Halifax Dartmouth for the pols, after the fact that he single-handedly procured $5,000 annually from city council to publish it, but he referred to it as PHD cuz he liked acronyms. In that feathered nest, he was also able to bring in a few poets from hither and yon to read now and then. It’s amazing how generous the local government was in the 1980s (or how stingy they are now) but, then again, people like Joe are rare—he went after things that would support his endeavours in a style like no one else.

I remember the first time I met him at the Banff Centre (then the Banff School of Fine Arts) in 1982. Everyone on campus was in a juried program—except Joe. He was just there, having drifted in from the east coast I guess to make inroads in the literary landscape—mingling, schmoozing, etc. I thought that was incredible, very determined and ballsy. He looked the part, for sure—tall, lanky, mysteriously shy and brooding, long blond hair and he had that poetic name “Joe Blades.” I thought it must be a creation to make him even more enigmatic than he was. He would have only been 21 then.

Back in Halifax, we were kind of a writing group that would meet at the Seahorse Tavern, or La Cave Restaurant, supporting each other’s poems, identifying as a minuscule sub-culture—Kathy Mac, Eleanor Schonmeier and her Navy guy husband, Deirdre Dwyer, Shirley, Amy Whitmore, Joe, a yoga poet named James, an older math professor with a much younger wife, a couple others.

Then there were the Poetry Sweatshops at the Lower Deck that Joe and Kathy introduced. I loved those. One time the word we had 20 minutes to write on was “novelty.” Perfect because that was the age of “the cult of novelty.” Joe, being a recent grad of NSCAD, incorporated novelty into his pieces, having been educated by true, blue conceptualists for which that shining light for the Artspeak cognoscenti was famous.

I last saw him at the Maritime Writers’ Workshop in Fredericton. We were in the tiny poetry corner space with Yvonne Trainor as the mentor. 

He moved to Fredericton around 1990 and gave me the PHD archives and administrative and editorial tasks of keeping it going. Soon, I had to leave the Maritimes to find work and gave it to Mark Hamilton to run. Then it died and the city hasn’t funded a poetry magazine since. That’s how rare Joe Blades, the poetry instigator, was.

It helps to reminisce that once upon a time there was an impresario and poetry aficionado named Joe Blades who kept putting himself and the work out there for anyone to see and hear.

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Simultaneous Submissions

The Writers’ Federation of Nova Scotia (WFNS) administers some programs (and special projects) that involve print and/or digital publication of ‘selected’ or ‘winning’ entries. In most cases, writing submitted to these programs and projects must not be previously published and must not be simultaneously under consideration for publication by another organization. Why? Because our assessment and selection processes depends on all submitted writing being available for first publication. If writing selected for publication by WFNS has already been published or is published by another organization firstcopyright issues will likely make it impossible for WFNS to (re-)publish that writing.

When simultaneous submissions to a WFNS program are not permitted, it means the following:

  • You may not submit writing that has been accepted for future publication by another organization.
  • You may not submit writing that is currently being considered for publication by another organization—or for another prize that includes publication.
  • The writing submitted to WFNS may not be submitted for publication to another organization until the WFNS program results are communicated. Results will be communicated directly to you by email and often also through the public announcement of a shortlist or list of winners. Once your writing is no longer being considered for the WFNS program, you are free to submit it elsewhere.
    • If you wish to submit your entry elsewhere before WFNS program results have been announced, you must first contact WFNS to withdraw your entry. Any entry fee cannot be refunded.

Prohibitions on simultaneous submission do not apply to multiple WFNS programs. You are always permitted to submit the same unpublished writing to multiple WFNS programs (and special projects) at the same time, such as the Alistair MacLeod Mentorship Program, the Emerging Writers Prizes, the Jampolis Cottage Residency Program, the Message on a Bottle contest, the Nova Writes Competition, and any WFNS projects involving one-time or recurring special publications.

Recommended Experience Levels

The Writers’ Federation of Nova Scotia (WFNS) recommends that participants in any given workshop have similar levels of creative writing and / or publication experience. This ensures that each participant gets value from the workshop⁠ and is presented with information, strategies, and skills that suit their career stage. The “Recommended experience level” section of each workshop description refers to the following definitions used by WFNS.

  • New writers: those with less than two years’ creative writing experience and/or no short-form publications (e.g., short stories, personal essays, or poems in literary magazines, journals, anthologies, or chapbooks).
  • Emerging writers: those with more than two years’ creative writing experience and/or numerous short-form publications.
  • Early-career authors: those with 1 or 2 book-length publications or the equivalent in book-length and short-form publications.
  • Established authors: those with 3 or 4 book-length publications.
  • Professional authors: those with 5 or more book-length publications.

Please keep in mind that each form of creative writing (fiction, nonfiction, poetry, and writing for children and young adults) provides you with a unique set of experiences and skills, so you might consider yourself an ‘established author’ in one form but a ‘new writer’ in another.

For “intensive” and “masterclass” creative writing workshops, which provide more opportunities for peer-to-peer feedback, the recommended experience level should be followed closely.

For all other workshops, the recommended experience level is just that—a recommendation—and we encourage potential participants to follow their own judgment when registering.

If you’re uncertain of your experience level with regard to any particular workshop, please feel free to contact us at communications@writers.ns.ca