Martine Jacquot

BIOGRAPHY
Martine Jacquot is a prolific writer who writes in French but can make presentations in either French or English. She has published over 30 books so far (novels, poetry, short-stories, essays and novels for young readers).

She has been invited to many literary events across Canada and abroad, namely to Lafayette’s book festival during the 2nd World Acadian Congress in 1999, to Tunisia to attend a panel of women writers in 2000, the International Poetry Festival in Trois-Rivières, the Northrop Frye International Literary Festival and to the Paris Book Fair in 2004 and 2006.

She did several reading tours: Tunisia in 2000, Russia and Cameroon in 2008, Morocco in 2010, Roumania in 2011, India in 2012.

She holds several degrees: BA from La Sorbonne, Paris, 3 MA degrees from La Sorbonne, Acadia and Dalhousie, a BJ from the University of Kings College and a PHD from Dalhousie University. She has studied and lived in France, England, Switzerland and Canada.

Past Vice President of the Association des Écrivains Acadiens, past president of the Conseil Culturel Acadien de la Nouvelle-Écosse, she has been on many editorial committees, member of several juries, has received creation grants and travel grants both from the Canada Council for the arts and the NS Arts Council. Her novel Les oiseaux de nuit finissent aussi par s’endormir was short listed for the Antonine-Maillet-Acadie Vie award. She was thrice finalist for the Éloizes awards, once as a writer, and twice as a cultural journalist. She was shortlisted for the France-Acadie Award three times for Au Gré du Vent (2006), Le jardin d’herbes aromatiques (2006) and Le silence de la neige (2008). She won the Award Prix Européen de l’ADELF with a special mention 2007 for Au gré du vent. She has also been chosen on 2 occasions to advise beginning authors, once by the Talent Trust of NS, once by the Association des auteurs de l’Ontario. Some of her poems and short stories have been broadcast on SRC. One of her stories was staged in Ottawa at the Théâtre Trillium. She was a member of the Board of Governors of the NS Museum for 12 years and an author in residence with the ArtsInfusion program and Fecane program

Her articles and interviews have appeared in LittéRéalité, Ancrage, Arcade, Alpha Arts magazine, Eloizes, Femmes d’Action, The Fiddlehead, Liason, Studies in Canadian Literature, Vent’d’est, Waves, Ashtarowt and Al Quds, among others. Her poems and short stories have appeared in Concerto pour huit voix, La Diversité: 15 nouvelles francophones á travers le monde, Ecphore Anthology 1987, Eloizes, Les Elytres du Hanneton, Herspectives, Liaison, Lieux d’être, Littéréalité, Les Maritimes, Mensuel, 25 Offerta Speziale, Poetry Halifax-Dartmouth, The Pottersfield Portfolio, Reflets Maritimes 2, Voices and Echoes: Stories and Poems of Women’s Spirituality, Walk through Paradise, La Poésie acadienne and Pour l’Amour de toi, among others. Some of her work is being translated into English, Russian, Portugese, Italian, Basque and Arabic.

AWARDS

Finalist, prix Antonine-Maillet-Acadie Vie 2012, Les oiseaux de nuit finissent aussi pas s’endormir

Finalist, Prix France-Acadie 2008, Le silence de la neige

Finalist, SRC award 2008 (La couleur du désir)

Finalist, prix Éloize as best cultural journalist 2007

Prix Européen de l’ADELF 2007 (Au gré du vent)

Finalist, prix France-Acadie 2006 (Au gré du vent)

Finalist, prix France-Acadie 2006 (Le Jardin d’herbes aromatiques)

Prix de la nouvelle, story staged in Ottawa (théâtre Trillium) 2001

Finalist, FCCF recognition award 2001

Finalist, prix Éloizes 2000 as best cultural journalist

Finalist, prix Éloizes 1999 as best writer 1999

Honorable mention, prix Grand-Pré, 1995

Honorable mention, prix Dr. René J. Fournier, 1992

Short story Liaison award, 1992

Prix de la Présidente, Société Culturelle du Haut Saint-Jean, 1990, Les nuits démasquées

Short story Liaison award, 1989

Finalist, international short-story contest, Agence de Coopération Culturelle et Technique, Paris, 1988

Honorable mention, Writers’ Federation of NS award, 1986


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Simultaneous Submissions

The Writers’ Federation of Nova Scotia (WFNS) administers some programs (and special projects) that involve print and/or digital publication of ‘selected’ or ‘winning’ entries. In most cases, writing submitted to these programs and projects must not be previously published and must not be simultaneously under consideration for publication by another organization. Why? Because our assessment and selection processes depends on all submitted writing being available for first publication. If writing selected for publication by WFNS has already been published or is published by another organization firstcopyright issues will likely make it impossible for WFNS to (re-)publish that writing.

When simultaneous submissions to a WFNS program are not permitted, it means the following:

  • You may not submit writing that has been accepted for future publication by another organization.
  • You may not submit writing that is currently being considered for publication by another organization—or for another prize that includes publication.
  • The writing submitted to WFNS may not be submitted for publication to another organization until the WFNS program results are communicated. Results will be communicated directly to you by email and often also through the public announcement of a shortlist or list of winners. Once your writing is no longer being considered for the WFNS program, you are free to submit it elsewhere.
    • If you wish to submit your entry elsewhere before WFNS program results have been announced, you must first contact WFNS to withdraw your entry. Any entry fee cannot be refunded.

Prohibitions on simultaneous submission do not apply to multiple WFNS programs. You are always permitted to submit the same unpublished writing to multiple WFNS programs (and special projects) at the same time, such as the Alistair MacLeod Mentorship Program, the Emerging Writers Prizes, the Jampolis Cottage Residency Program, the Message on a Bottle contest, the Nova Writes Competition, and any WFNS projects involving one-time or recurring special publications.

Recommended Experience Levels

The Writers’ Federation of Nova Scotia (WFNS) recommends that participants in any given workshop have similar levels of creative writing and / or publication experience. This ensures that each participant gets value from the workshop⁠ and is presented with information, strategies, and skills that suit their career stage. The “Recommended experience level” section of each workshop description refers to the following definitions used by WFNS.

  • New writers: those with less than two years’ creative writing experience and/or no short-form publications (e.g., short stories, personal essays, or poems in literary magazines, journals, anthologies, or chapbooks).
  • Emerging writers: those with more than two years’ creative writing experience and/or numerous short-form publications.
  • Early-career authors: those with 1 or 2 book-length publications or the equivalent in book-length and short-form publications.
  • Established authors: those with 3 or 4 book-length publications.
  • Professional authors: those with 5 or more book-length publications.

Please keep in mind that each form of creative writing (fiction, nonfiction, poetry, and writing for children and young adults) provides you with a unique set of experiences and skills, so you might consider yourself an ‘established author’ in one form but a ‘new writer’ in another.

For “intensive” and “masterclass” creative writing workshops, which provide more opportunities for peer-to-peer feedback, the recommended experience level should be followed closely.

For all other workshops, the recommended experience level is just that—a recommendation—and we encourage potential participants to follow their own judgment when registering.

If you’re uncertain of your experience level with regard to any particular workshop, please feel free to contact us at communications@writers.ns.ca