Maritza Miari

BIOGRAPHY

Maritza Miari

BIOGRAPHY Maritza, artist and designer with over 17 years of international experience. University Graduated ISDI (Superior Institute of Design) 1993. Bachelor in drawing and sculpture (Fine Art Academy San Alejandro) 1988. Junior in Fine Arts (23yC) 1984. All in Havana, Cuba. Also she has several post-graduated courses.

An award winning children’s book illustrator, works directly with clients, manages projects from initial conception to final publication. Her work includes illustrations and designs for books, calendars, magazines, flyers, posters, logos, global image and others. At the same time she draws and paints on canvas, paper, wood, everywhere… she loves portraits, eyes, expressions, human bodies, mystic ambiences, fairies, and new characters with historical costumes…

Maritza is one of the founders of “Proyecto Artistico Mundo Vivo” (Art Project World Alive) 1995 and “Nueva Gente” (New People) since 2009. She received “La Rosa Blanca” National award from UNEAC (National Union of Writers and Artist in Cuba), Category: “Best illustrations for children books”, 2007.She has been recognized for having great versatility in her illustration style.

She has participated in collective and solo exhibitions in Cuba, Dominican Republic, Spain and Canada.

Once settled in Nova Scotia in 2010, Maritza started new projects and goals. She joined VANS and WFNS to follow the NS community and exhibiting at The Hub Gallery her work “Living”, 2011 and in June 2012 at View Point Gallery present with a local photographer the project “Playgrounds of the Fairies”. She is enjoying mixing in her works, her Latin background with the amazing Nova Scotian atmosphere than she and her family live in now.

 

 

BIBLOGRAPHY OF ILLUSTRATIONS PUBLISHED

      

Olga Marta.  El Halcón Marqués. Ediciones UNIÓN, 2004. 

      

Emilió Ariosa.  El Delator. Editorial Capitán San Luis, 2001.

      

Otro elefante en la cuerda floja. Ediciones UNIÓN, 2008

      

Enrique Pérez.  Aventuras de los Pelusos. Ediciones UNIÓN, 2008. 

      

Esther Suárez. El viaje de mico. Colección DienteLeche, 2005.

      

Nelson Simón, Sueño en una noche de verano. Colección Dienteleche, 2005.

      

José M. Espino. El ultimo diente de leche. Colección DienteLeche, 2006. 

      

Nersys Felipe.  Corazón de Libélula. Ediciones UNIÓN, 2006.

      

Olga Marta & Alina Torres.  Traviesos de la noche. Editorial Gente Nueva, 2009. 

      

Ada Elba Pérez, Liuba María Hevia & Olga Marta Pérez. Como granos de canela.  Ediciones UNIÓN, 2007

      

Ana María. Pequeño sol en Barrio Gris.  Habana: Edicion


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Recommended Experience Levels

The Writers’ Federation of Nova Scotia (WFNS) recommends that participants in any given workshop have similar levels of creative writing and / or publication experience. This ensures that each participant gets value from the workshop⁠ and is presented with information, strategies, and skills that suit their career stage. The “Recommended experience level” section of each workshop description refers to the following definitions used by WFNS.

  • New writers: those with less than two years’ creative writing experience and/or no short-form publications (e.g., short stories, personal essays, or poems in literary magazines, journals, anthologies, or chapbooks).
  • Emerging writers: those with more than two years’ creative writing experience and/or numerous short-form publications.
  • Early-career authors: those with 1 or 2 book-length publications or the equivalent in book-length and short-form publications.
  • Established authors: those with 3 or 4 book-length publications.
  • Professional authors: those with 5 or more book-length publications.

Please keep in mind that each form of creative writing (fiction, nonfiction, poetry, and writing for children and young adults) provides you with a unique set of experiences and skills, so you might consider yourself an ‘established author’ in one form but a ‘new writer’ in another.

For “intensive” and “masterclass” creative writing workshops, which provide more opportunities for peer-to-peer feedback, the recommended experience level should be followed closely.

For all other workshops, the recommended experience level is just that—a recommendation—and we encourage potential participants to follow their own judgment when registering.

If you’re uncertain of your experience level with regard to any particular workshop, please feel free to contact us at communications@writers.ns.ca