Dave Beynon

BIOGRAPHY
Originally from Britain, Dave Beynon moved to Canada as an infant, growing up on a farm north and west of Toronto.  He has been a cow milker, a short order cook, a waiter, a residence manager at the Hamilton Downtown YMCA (there’s a novel waiting to be written about those four years), a factory worker and a purveyor of fine corrugated packaging and displays.

Dave writes fiction of varying genres and lengths.  His short fiction has appeared in anthologies, periodicals, on-line and in podcasts.  In 2011, his novel, The Platinum Ticket was shortlisted for the inaugural Terry Pratchett Prize.

Dave co-hosted a local cable TV show called Turning Pages, an in-depth interview show that highlights authors, writing and publishing.

He lives on the South Shore and should have been living there his whole life.

His work is represented by Ed Wilson of Johnson & Alcock.

PUBLICATIONS

Here There Be Monsters was reprinted in the anthology Snafu: Medevac (Cohesion Press, 2020)

Small Town Superhero, in Pulp Literature Magazine (Autumn 2018).

The Stranger in the Glass, in Lawless Lands:  Tales From the Weird Frontier (Falstaff Books, 2017)

Pact, in Sherlock Holmes Mystery Magazine #21 (Wildside Press, 2016).

Here There Be Monsters, in SNAFU: Unnatural Selection (Cohesion Press, 2016).

The Last Repairman, appeared at Daily Science Fiction on May 9th, 2014.  (http://dailysciencefiction.com/science-fiction/disaster-apocalypse/dave-beynon/the-last-repairman  )

The Lighthouse Keeper’s Wife, in Tesseracts Seventeen (Edge, 2013).

The Lighthouse Keeper’s Wife, was produced as a podcast for www.pseudopod.org  , episode 401 on August 29th, 2014.  (http://pseudopod.org/2014/08/30/pseudopod-401-the-lighthouse-keepers-wife/  )

Symbiosis, in Evolve Two (Edge, 2011)

AWARDS

In 2011 my novel, The Platinum Ticket was shortlisted for the Terry Pratchett First Novel Prize.


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Recommended Experience Levels

The Writers’ Federation of Nova Scotia (WFNS) recommends that participants in any given workshop have similar levels of creative writing and / or publication experience. This ensures that each participant gets value from the workshop⁠ and is presented with information, strategies, and skills that suit their career stage. The “Recommended experience level” section of each workshop description refers to the following definitions used by WFNS.

  • New writers: those with less than two years’ creative writing experience and/or no short-form publications (e.g., short stories, personal essays, or poems in literary magazines, journals, anthologies, or chapbooks).
  • Emerging writers: those with more than two years’ creative writing experience and/or numerous short-form publications.
  • Early-career authors: those with 1 or 2 book-length publications or the equivalent in book-length and short-form publications.
  • Established authors: those with 3 or 4 book-length publications.
  • Professional authors: those with 5 or more book-length publications.

Please keep in mind that each form of creative writing (fiction, nonfiction, poetry, and writing for children and young adults) provides you with a unique set of experiences and skills, so you might consider yourself an ‘established author’ in one form but a ‘new writer’ in another.

For “intensive” and “masterclass” creative writing workshops, which provide more opportunities for peer-to-peer feedback, the recommended experience level should be followed closely.

For all other workshops, the recommended experience level is just that—a recommendation—and we encourage potential participants to follow their own judgment when registering.

If you’re uncertain of your experience level with regard to any particular workshop, please feel free to contact us at communications@writers.ns.ca